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More than one hundred books have been written about T.E. Lawrence which explore the man and his deeds. Just about every aspect and the many incarnations of his life, his campaigns, the geo-politics of the Arab world, and the influence of the West in it, as Lawrence experienced them, have been examined. However, nobody has gone in search of the mind of the man himself - of his formation and his deep beliefs. Nobody has asked the question, What, really, is the source of the extraordinary power of this little man? - not only in terms of his incontestable qualities of leadership, but also in regard to the sheer range of his activities and accomplishments. Archaeologist, writer, guerilla warfare ...
It sounded like a good idea at the time: A Hollywood spy thriller, starring, for the first time in history, an Asian male lead. With an estimated $350 million production budget and up-and-coming Hong Kong actor JK Jr, who, let's be honest, is not the sharpest tool in the shed, but probably the hottest, Brood Empire was basically a sure thing. Until it wasn't. So how did it all fall apart? There were smart guys involved. So smart, so woke. So woke it hurts. There was top-notch talent across the board and the financial backing of a heavyweight Chinese studio. And yet, Brood Empire is remembered now not as a historical landmark of Asian representation that smashed the bamboo ceiling in Hollywood, but rather as a fiasco of seismic proportions. The Whitewash is the definitive oral history of the whole sordid mess. Unofficial. Unasked for. Only intermittently fact-checked, and featuring a fool's gallery of actors, producers, directors, film historians and scummy click-bait journalists, to answer the question of how it all went so horribly, horribly wrong.
The Rockin' '60s is a comprehensive guide through the decade that produced the greatest music of all time: The Beatles, The Rolling Stones, Bob Dylan, Jimi Hendrix, Led Zeppelin, Phil Spector, The Beach Boys, Aretha Frankin and hundreds more emerged from this era. Delve into a narrative history of each group and examine the people behind the music, along with an analysis of key recordings, discography, and archival photos throughout.
Bruce Chatwin's death in 1989 brought a meteoric career to an abrupt end, since he burst onto the literary scene in 1977 with his first book, In Patagonia. Chatwin himself was different things to different people: a journalist, a photographer, an art collector, a restless traveller and a bestselling author; he was also a married man, an active homosexual, a socialite who loved to mix with the rich and famous, and a single-minded loner who explored the limits of extreme solitude. From unrestricted access to Chatwin's private notebooks, diaries and letters, Nicholas Shakespeare has compiled the definitive biography of one of the most charismatic and elusive literary figures of our time. 'A magnificent work of empathy and detection' Colin Thubron, Sunday Times 'Utterly compelling' Philip Marsden, Mail on Sunday 'A fascinating account of the man behind the myth' Ian Thomson, Guardian