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From The Joshua Tree to Blood Sugar Sex Magik, from Automatic for the People to OK Computer, they produced some of the most memorable rock albums of the post-punk era. Beyond the music, though, the members of U2, R.E.M., Radiohead and the Red Hot Chili Peppers share several common bonds. Having emerged from punk's do-it-yourself ethos, they embody collective creativity over individual artistry. With the exception of the Chili Peppers' revolving-door guitarists, each band's lineup has remained stable while the groups outlasted most of their contemporaries. The twin factors of group-inspired music and long-term collaboration make these four bands important case studies in modern rock and roll....
In 1974 the British progressive rock group Genesis released their double concept album The Lamb Lies Down on Broadway. The story was described by Genesis's then front-man Peter Gabriel as a 'moral fable' about Rael, a half-Puerto-Rican New York City street tough who is engulfed by a solid cloud into a series of strange adventures in a metaphysical realm. The album is a surreal allegory drawing its material from religious, literary and psychological themes. More than thirty years after its release, The Lamb Lies Down on Broadway still enthralls listeners, earning the distinction of being Genesis's most consistently selling back-catalogue release. Kevin Holm-Hudson analyses The Lamb within the...
Quintessentially British, Genesis spearheaded progressive rock in the 1970s, evolving into a chart-topping success through the end of the millennium. Influencing rock groups such as Radiohead, Phish, Rush, Marillion and Elbow, the experimental format of Genesis' songs inspired new avenues for music to explore. From the 23-minute masterpiece "Supper's Ready," via the sublime beauty of "Ripples" and the bold experimentation of "Mama", to hits such as "Invisible Touch" and "I Can't Dance," their material was inventive and unique. This book is the chronological history of the band's music, with critical analysis and key details of each of the 204 songs Genesis recorded and released.
This book is an unashamed celebration of the landmark album Slippery When Wet; Bon Jovi's most successful album to date, with sales of over 28 million copies since its 1986 release, and one of the most toe-tappingly gleeful albums to ever ring out from a pair of speakers. Everyone knows the rock classics 'Livin' On A Prayer' or 'You Give Love A Bad Name', but there isn't a bum track on the record. This is more than a 'making of' type book, because to put Slippery When Wet into context you need to understand what came before and after. It is also a handy fans' guide to the band's career with a track by track review, current thoughts on the album from top rock writers, plus bits and pieces tha...
Exploring U2: Is This Rock 'n' Roll? features new writing in the growing field of U2 studies. In keeping with U2's own efforts to remove barriers that have long prevented dialogue for understanding and improving the human experience, this collection of essays covers such disciplines as literature, music, philosophy, and theology.
Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate...
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
From its indefinite beginnings through its broad commercialization and endless reinterpretation, American rock-and-roll music has been preoccupied with an end-of-the-world mentality that extends through the whole of American popular music. In Apocalypse Jukebox, Edward Whitelock and David Janssen trace these connections through American music genres, uncovering a mix of paranoia and hope that characterizes so much of the nation's history. From the book's opening scene, set in the American South during a terrifying 1833 meteor shower, the sense of doom is both palpable and inescapable; a deep foreboding that shadows every subsequent development in American popular music and, as Whitelock and ...