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Offers a better way to read Thucydides through the explanation of grammar and a glimpse into the history of classical scholarship
Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. Hackett Publishing Company is the exclusive distributor of the Bryn Mawr Commentaries in North America, the United Kingdom, and Europe.
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Composed in the fourth century b.c., the Phaedrus—a dialogue between Phaedrus and Socrates—deals ostensibly with love but develops into a wide-ranging discussion of such subjects as the pursuit of beauty, the nature of humanity, the immortality of the soul, and the attainment of truth, ending with an in-depth discussion of the principles of rhetoric. This erudite commentary, which also includes the original Greek text, is designed to help intermediate-level students of Greek read, understand, and enjoy Plato’s magnificent work. Drawing on his extensive classroom experience and linguistic expertise, Paul Ryan offers a commentary that is both rich in detail and—in contrast to earlier, ...
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The aim of this book is to make Lucian's The Ass accessible to intermediate students of Ancient Greek. The running vocabulary and commentary are meant to provide everything necessary to read each page. The Ass is a great intermediate Greek text. The narrative is fast-paced and funny, and the language is fairly simple and easy to follow. Unlike its better-known Latin relative, Apuleius' Golden Ass, Lucian's The Ass is an unpretentious satirical text that tells a funny story in a casual and light-hearted manner. There is little moralizing or didacticism in the story, and unlike the hero of Apuleius's version of the story, there is no religious or philosophical illumination at the end. The final episode is a funny twist of events completely in tune with the tenor of the rest of the novel. There is a hilarious love-making episode with lots of double-entendre, and other episodes that portray the doings of various low-life characters who are rarely present in ancient literature at all. Thieves, religious charlatans, witches, millers, servants, soldiers and bakers all find a place in this strange story of chance and magic.
Within the newly thriving field of ancient Greek and Roman performance and dance studies, The Anatomy of Dance Discourse offers a fresh and original perspective on ancient perceptions of dance. Focusing on the second century CE, it provides an overview of the dance discourse of this period and explores the conceptualization of dance across an array of different texts, from Plutarch and Lucian of Samosata, to the apocryphal Acts of John, Longus, and Apuleius. The volume is divided into two Parts: while the second Part discusses ekphraseis of dance performance in prose and poetry of the Roman imperial period, the first delves more deeply into an examination of how both philosophical and litera...
The first substantial commentary for a generation on this book of Horace's Odes, a great masterpiece of classical Latin literature.
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