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LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
A gothic, blood curdling edition of the world's greatest journal of sex, religion and death. Incisive and cutting edge essays from the world of underground film, fanaticism, crime, sex, art, trash and sleaze. Contents include; A visit to the reclusive director of 70s seminal obscure horror movie Last house on Dead End Street, interview with Tom Robbins whose book 'Another Roadside Attraction' Elvis was reputed to be reading when he died, and Laurence O'Toole, author of 'Pornucopia' on set with gonzo pornmaker Buttman. Illustrated with 20 black and white illustrations.
On November 21, 1980, over 350 million people worldwide tuned in to find out: Who shot J.R.? In portraying the scheming, ruthless J.R. in Dallas during its run from 1978 to 1991, Larry Hagman reached a level of fame and recognition that is rare, if not unique. Now the man behind J.R. tells his own story in an autobiography that is at once rowdy and moving, self-searching and scandalous, juicy and a "recovery story" — and often outrageously funny. Though Larry Hagman is best known for his starring roles in two hugely successful television series, I Dream of Jeannie and Dallas, his life has been a star act from birth. Born into the theatrical purple as the son of the legendary Mary Martin, L...
On the eve of the FBI's centenary, this book offers the first comprehensive illustrated account of the Bureaus 100-year history. Granted unprecedented access to the FBI headquarters in Washington, D.C., and academy at Quantico, Virginia, author Henry M. Holden presents a rare inside view of the agencys workings, as well as a compelling, closely observed picture of its ever-changing role, powers, notable cases, and controversies through the years. FBI 100 Years chronicles the Bureaus successes and failures from its early days as Teddy Roosevelts trust-busting detective force to the increased emphasis on counterterrorism the post 9/11 world. Along the way, Holden revisits the gangster era and ...
Morrey offers a new interpretation of one of the most innovative directors in the history of cinema, covering the whole of Godard's career from the French New Wave to the more recent triumphs of 'Histoire(s) du cinema' and 'Eloge de l'amour'.
A visually stunning backstage glimpse through time and space into the history and making of Rod Serling's The Twilight Zone. This is an invitation to explore a portion of the show's archives: over 300 original behind-the-scenes production stills taken during filming, accompanied by insightful captions, rare documents and interviews with 40 producers, directors, writers and actors who worked on the series including Bill Murray and Earl Hammer, Jr. With a foreword by Neil Gaiman.
Through the Looking Glass examines John Cage's interactions and collaborations with avant-garde and experimental filmmakers, and in turn seeks out the implications of the audiovisual experience for the overall aesthetic surrounding Cage's career. As the commercially dominant media form in the twentieth century, cinema transformed the way listeners were introduced to and consumed music. Cage's quest to redefine music, intentionality, and expression reflect the similar transformation of music within the larger audiovisual experience of sound film. This volume examines key moments in Cage's career where cinema either informed or transformed his position on the nature of sound, music, expression, and the ontology of the musical artwork. The examples point to moments of rupture within Cage's own consideration of the musical artwork, pointing to newfound collision points that have a significant and heretofore unacknowledged role in Cage's notions of the audiovisual experience and the medium-specific ontology of a work of art.
A family of his own covers Edwin O'Connor's comfortable upbringing in Rhode Island, his formation at Notre Dame, his obscure years in radio and the Coast Guard during World War II, his adoption of Boston, his long association with his publishers at "Atlantic Monthly" and Little, Brown and Company, his toil in journalism and television reviewing, his several sojourns in Ireland, and his extraordinary dedication to his craft while living close to poverty. For the years after "The Last Hurrah," Duffy examines O'Connor's handling of newfound wealth and celebrity, his growing loneliness, the surprise and fulfillment of a late marriage, his failure on Broadway, and his return to fiction. Throughout his writing O'Connor's major subject was the family, especially the gains, losses, and conflicts within assimilated Irish America. Duffy examines the complex ways by which O'Connor's own experience of family and friendship formed essential patterns in his works.
A unique and dynamic look at a pivotal year in American history and culture. There were seismic shifts taking place in 1966. The Supreme Court’s Miranda warnings decision. A World Series upset. Jacqueline Susann’s salacious best seller Valley of the Dolls. The television debut of Batman. Five successful missions in NASA’s Project Gemini. It was truly a momentous year in America. In Do You Believe in Magic? Baseball and America in the Groundbreaking Year of 1966, David Krell goes beyond the headlines to reveal the importance of this underappreciated year in history. Using the baseball season as a unifying thread, Krell also examines the Space Race, television, film, politics, music, and more, revealing that innovation was the common theme during this extraordinary time. With a vivid narrative, archival photos, exclusive interviews, and contemporary news accounts, Do You Believe in Magic? presents the powerful stories and impactful moments from a fascinating year that transformed America forever.