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An unforgettable, high-stakes, laugh-out-loud funny novel, The Witchstone blends the merciless humor of The Good Place with the spellbinding fantasy of Neil Gaiman’s American Gods. Meet Laszlo, eight-hundred-year-old demon and Hell’s least productive Curse Keeper. From his office beneath Midtown, he oversees the Drakeford Curse, which involves a pathetic family upstate and a mysterious black monolith. It’s a sexy enough assignment—colonial origins, mutating victims, et cetera—but Laszlo has no interest in maximizing the curse’s potential; he’d rather sunbathe in Ibiza, quaff martinis, and hustle the hustlers on Manhattan’s subway. Unfortunately, his division has new managemen...
This book offers an analysis of the status and function of the Anglo-Saxon prognostics in their manuscript context, a study of their introduction to and transmission in Anglo-Saxon England, and, for the first time, a comprehensive edition of prognostics in Old English and Latin.
Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exoti...
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