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Dirty Dreams
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Automated Technology for Verification and Analysis
This book constitutes the refereed proceedings of the 16th International Symposium on Automated Technology for Verification and Analysis, ATVA 2018, held in Los Angeles, CA, USA in October 2018. The 27 full papers presented together with 5 short papers and 3 invited talks were carefully reviewed and selected from 82 submissions. The symposium is dedicated to the promotion of research on theoretical and practical aspects of automated analysis, verification and synthesis by providing a forum for interaction between the regional and the international research communities and industry in the field.
Food in the Movies, 2d ed.
Although food has been part of motion pictures since the silent era, for the most part it has been treated with about as much respect as movie extras: it's always been there on the screen but seldom noticed. For the most part filmmakers have settled on three basic ways to treat food: as a prop in which the food is usually obscured from sight or ignored by the actors; as a transition device to compress time and help advance the plot; as a symbol or metaphor, or in some other meaningful way, to make a dramatic point or to reveal an aspect of an actor's character, mood or thought process. This hugely expanded and revised edition details 400 food scenes, in addition to the 400 films reviewed for the first edition, and an introduction tracing the technical, artistic and cultural forces that contributed to the emergence of food films as a new genre--originated by such films as Tampopo, Babette's Feast and more recently by films like Mostly Martha, No Reservations and Ratatouille. A filmography is included as an appendix.
FM'99 - Formal Methods
Formal methods are coming of age. Mathematical techniques and tools are now regarded as an important part of the development process in a wide range of industrial and governmental organisations. A transfer of technology into the mainstream of systems development is slowly, but surely, taking place. FM’99, the First World Congress on Formal Methods in the Development of Computing Systems, is a result, and a measure, of this new-found maturity. It brings an impressive array of industrial and applications-oriented papers that show how formal methods have been used to tackle real problems. These proceedings are a record of the technical symposium ofFM’99:alo- side the papers describingapplic...
Educational Films
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The American Film Industry
Upon its original publication in 1976, The American Film Industry was welcomed by film students, scholars, and fans as the first systematic and unified history of the American movie industry. Now this indispensible anthology has been expanded and revised to include a fresh introductory overview by editor Tino Balio and ten new chapters that explore such topics as the growth of exhibition as big business, the mode of production for feature films, the star as market strategy, and the changing economics and structure of contemporary entertainment companies. The result is a unique collection of essays, more comprehensive and current than ever, that reveals how the American movie industry really worked in a century of constant change-from kinetoscopes and the coming of sound to the star system, 1950s blacklisting, and today's corporate empires.
Los Angeles Documentary and the Production of Public History, 1958-1977
Los Angeles Documentary and the Production of Public History, 1958–1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation.
Science on American Television
This volume narrates the history of science on television, from the 1940s to the turn of the 21st-century, to demonstrate how disagreements between scientists and television executives inhibited the medium's potential to engage in meaningful science education.
