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Presidential Praise
Presidential Praise: Our Presidents and Their Hymns offers the most comprehensive coverage ever written of the influence of hymns on the lives and administrations of America's presidents. Each chapter begins with Michael Williams's concise presentation of each president's path to the White House and his accomplishments and failures as president. C. Edward Spann then introduces how each president regarded music, whether or not he was musical, and music in the White House during each president's administration. These hymns may be related to developments in the life of the president, including his spiritual journey, major decisions he had to make as president, or even his selection of the inaugural Scripture. Spann then tells the story of how the hymn was written, both the words and the music. Presenting this scholarly material in an inspiring manner is part of the delight of the book. In doing so, the book covers a panorama of hymnody from 1614 to the 1980s. After an interpretation of the words, it is demonstrated why the chosen hymns were meaningful to each president. The format of each chapter reveals this special emphasis that can't be found elsewhere.
Don't Stop Thinking About the Music
In this insightful, erudite history of presidential campaign music, musicologist Benjamin Schoening and political scientist Eric Kasper explain how politicians use music in American presidential campaigns to convey a range of political messages. From “Follow Washington” to “I Like Ike” to “I Got a Crush on Obama,” they describe the ways that song use by and for presidential candidates has evolved, including the addition of lyrics to familiar songs, the current trend of using existing popular music to connect with voters, and the rapid change of music’s relationship to presidential campaigns due to Internet sites like YouTube, JibJab, and Facebook. Readers are ultimately treated to an entertaining account of American political development through popular music and the complex, two-way relationship between music and presidential campaigns.
Prologue
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The Hebrew Orphan Asylum Band of New York City, 1874-1941
The Hebrew Orphan Asylum Band of New York City, 1874–1941 is at the same time the story of a boys’ band and a story of New York City. The band was not only an important educational component of one of the largest Jewish charitable organizations of its time, but also a significant source of music-making and performance in New York. What made the band especially noteworthy was the reputation it developed performing outside of New York’s many concert halls and major musical institutions. The band was ever-present, participating in events ranging from conventional parades to building ground-breakings to celebrations of major figures in New York history. The band was always ready to perform...
The Hymn
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U. S. Army Register
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