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In Richard O'Rawe's stunning debut novel, as audacious and well executed as Ructions' plan to rob the National Bank itself, a new voice in Irish fiction has been unleashed that will shock, surprise and thrill as he takes you on a white-knuckle ride through Belfast's criminal underbelly. Enter the deadly world of tiger kidnappings, kangaroo courts, money laundering, drug deals and double-crosses. Northern Heist is a roller-coaster bank robbery thriller with twists and turns from beginning to end.
These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
London, 19 October 1989. An electrified young man, with eyes wild and a clenched fist, bursts out of the Old Bailey and declares his innocence to the world. Gerry Conlon has just won his appeal for the 1974 Guildford pub bombing. After fifteen years in prison, freedom beckons. Or does it? Following his release, Conlon received close to one million pounds from government compensation, movie and book deals; he ran in the same circles as Johnny Depp, Daniel Day-Lewis, and Shane MacGowan. Conlon seemed to have it all. Yet within five years he was hooked on crack cocaine and eating out of bins in the backstreets of London. Beyond the elation of his release was the awful descent into addiction, is...
An inside account of the H-Blocks hunger strike of the early 1980s.
This hidden history pinpoints the key players in the drama and their responses, identifying Mountain Climber, a Derry businessman who brokered the deal, and describing the contributors to the crucial hunger strike conferences of 2008-09. O'Rawe combines a moving and courageous personal record with first-hand documentation.
Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.
"Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism."
Ed Moloney's Voices from the Grave follows his highly acclaimed A Secret History of the IRA, the best-informed account yet written of the IRA's evolution from ruthless guerilla army into governmental party. But reconciliation between political figures who until very recently wished each other dead or in jail has not been accompanied by very much truth-telling about the past. Men who have been to the White House and fraternized with Tony Blair deny that they ever fired a shot in anger, or caused a bomb to be planted. Now, in Voices from the Grave, a truly ground-breaking piece of historical evidence is unearthed. Two former paramilitary leaders - one republican, one loyalist - speak with unprecedented frankness about their role in some of the most appalling violence of the Troubles. The openness of Brendan Hughes of the IRA and David Ervine of the UVF results in a book of shocking and irresistible testimony, their voices set in the context of a narrative by Ed Moloney of their lives and of the society they grew up in.
"I clamor for the next installment of Richard O’Rawe’s rollicking series of heist novels featuring James 'Ructions' O’Hare." — Sarah Weinman, The New York Times Book Review "Mr. O’Rawe ... has written the most riotous caper novel since his own 'Northern Heist,' and with luck, there will be more adventures ahead. "—Tom Nolan, The Wall Street Journal Ructions O'Hare returns in a thriller — based on one of history's greatest unsolved heists — pitting him against the IRA, Interpol, and neo-Nazis . . . When WWII ended, the allies discovered that a huge amount of gold bullion plundered by Nazi Reichsmarschall Hermann Goering had gone missing. Some believed the gold had been hidden ...
We know a lot about the directors and stars of Italian cinema's heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project 'Italian Cinema Audiences 1945-60', Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema's role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.