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Wyn Geleynse
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Fictivespace
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David Alexander
In Canada, it can be easy to consider landscape painting as cliché, an art form whose time has passed. David Alexander's vibrant, large-scale works show the wonder and possibility that remain undiminished in paintings of the natural environment and breathe new life into the landscape tradition. Gathering together six essays on Alexander, this book provides insight into Alexander's inspiration, creative drive, and the unique engagement with nature that has led him to seek out and paint remote locales across Canada and as far away as Greenland, Iceland, New Mexico, and Argentina. Award-winning writer Sharon Butala contributes an extended meditation on her first encounter with the artist and h...
Not Straight from Germany
Investigates the role of sex and sexuality in early 20th-century German culture, and how this past continues to shape the present
Hiding the Audience
Hiding the Audience examines how the development of Canadian prairie arts institutions in the context of an implicitly Euro- or Anglo-Canadian audience clashed with the creation of regional arts that needed to acknowledge a Native Canadian presence to flourish. It looks in detail at the regional versus international strains in the history of the Banff Centre, at the development of the Glenbow Museum and the controversy over the "Spirit Sings" exhibition, at the two decades of contention regarding statues of Louis Riel in Regina and Winnipeg, and at the contrasts in audience participation in two of 25th Street Theatre's productions, one about farmers and the other about Metis people. Primaril...
Roland Gissing
The book begins with a description of the impression Canada made on Gissing upon his arrival in this country in 1913 at the age of 18. Gissing wanted to be a cowboy. He travelled from Alberta to California and back on horseback, sketching and painting as he went. Examples of this early work appear in the book. Gissing began selling his work and supporting himself solely by painting. The author discusses Gissing's technique as his style began to change and how the artist's frame of mind was reflected in his work. There is a good representation of the work of this period in the book. The book concludes with a discussion of Gissing's love of steam locomotives and some details about his time spent building these scale trains. Finally a sampling of paintings of the drastically different seascapes and badlands he was doing in the few years before his death, concludes the pictorial record of Gissing's life and works.
Everything Is Connected
Since the mid-twentieth century, conspiracy has pervaded our collective worldview, shaped by events such as the assassination of John F. Kennedy, the Vietnam War, Watergate, the Iran-Contra affair, and 9/11. Everything Is Connected examines how artists from the 1960s to the present have explored both the covert operations of power and the mutual suspicion between governments and their citizens. Featured are works by some thirty artists—including Sarah Charlesworth, Emory Douglas, Hans Haacke, Rachel Harrison, Jenny Holzer, Mike Kelley, Mark Lombardi, Cady Noland, Trevor Paglen, Raymond Pettibon, Jim Shaw, and Sue Williams—in media ranging from painting, drawing, and photography to video and installation art. Whether they uncover webs of deceit hidden in the public record or dive headlong into paranoid fever dreams, these artists use their work to take a powerful and proactive stance against the political corruption, consumerism, bureaucracy, and media manipulation that are hallmarks of contemporary life. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Sights of Resistance
CD-ROM contains: Chapters from text -- Glossary.
