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European House
This beautifully illustrated book takes the reader on a journey through a number of outstanding contemporary houses designed and built across the richly varied and extraordinary European landscape. Philip Jodidio presents his expertise and knowledge on the most profound influences of contemporary residential architecture in this region. This book pairs images of unique architecture and interior design and a comprehensive analysis of each project, set within full-colour photographic portraits that all together reflect the strength of drive and progressive thinking that inspired these designs. Though progressive, the wide range of architects’ designs draw heavily on the local vernacular of the buildings of this region. Ordering principles borrow from the building’s context and often relate metaphorically to the surrounding natural landscape, connecting the building to its site in a meaningful way. Sustainability and green energy efficiency features are also crucial components in the house design objectives and are seamlessly integrated with the architecture, and these influences are clearly illustrated in this impressive volume.
Wood Architecture
Timber is having a renaissance as an architectural material, as more architects come to understand its properties, and enjoy adding it to their repertoire of materials. With a growing crop of good new timber buildings, architects are coming to realise that this is no longer the sole preserve of the traditionalist, but a material that has an important role to play in the contemporary world. The book's introduction examines the ways in which a raw material of diminishing quality (but abundant quantity) can be 'stretched' to perform as it has never done before using new technology and careful detailing. The 40 case studies are devoted to some of the most interesting new wood projects from around the world. The projects are grouped in seven themed chapters. Featured architects from around the world include Steven Holl, Foster and Partners, Rural Studio, Renzo Piano and Shigeru Ban.
VERSUS: Heritage for Tomorrow
Vernacular architecture represents a great resource that has considerable potential to define principles for sustainable design and contemporary architecture. This publication is the result of an overall aim to produce a valuable tool for analysis regarding vernacular heritage through different assessments, in order to define principles to consider for sustainable development. This was possible through a comprehensive reflection on the principles established and the strategies to recognise in different world contexts. The present publication was the result of an in-depth approach by 46 authors from 12 countries, concerned with the analysis and critical assessment of vernacular heritage and i...
The Mannerist Mind
Departing from a discussion on what it would be a mannerist attitude in the architecture of today, and theorizing around it, this book analyzes some works of contemporary European practices including Lutjens Padmanabhan, architekten de vylder vinck taillieu, TEd’A, Maio, 6a architects and AOffice KGDVS. Art critics between the seventeenth and nineteenth centuries imprinted a long-standing derogatory meaning to the word “mannerism”. Even though scholars such as John Shearman or Wolfgang Lotz rehabilitated the term to a certain degree during the twentieth century, it is still uncommon nowadays to find the expression “mannerist” used without certain pejorative connotations. This book provides a contemporary revision of the mannerist attitude for the present, creating a framework to analyze and shed light not only on the work that these practices are carrying out, but also on the less evident filiations and affinities, as well as on their deeper implications.
Atlantic Houses
The rugged coastline of the Iberian Peninsula is a challenging backdrop for residential architecture. This relationship of design to natural environment is explored in winning examples: 22 homes ranging from new structures -- some intimate, others spacious and complex -- to innovative conversions and extensions. Plans and detailed notes are included for each house.
Memoria de composición arquitectónica 2011.13
Composición Arquitectónica 1: Historia y análisis del proyecto arquitectónico: de Grecia a la Edad Media. Composición Arquitectónica 2: Historia y análisis del proyecto arquitectónico: del Renacimiento al siglo de las revoluciones. Composición Arquitectónica 3: Historia y análisis del proyecto arquitectónico: de la gestación de las vanguardias a la Primera Guerra Mundial. Composición Arquitectónica 4: Historia y análisis del proyecto arquitectónico: de las revisiones de la Modernidad a las últimas tendencias. Arquitectura e Ingeniería del siglo xx: Representación y construcción de una Modernidad intermedia. Paisajes Culturales: Desarrollo del programa europeo Teruel Life+.
Graphical Heritage
This book presents the proceedings of the 18th International Conference on Graphic Design in Architecture, EGA 2020, focusing on heritage – including architectural and graphic heritage as well as the graphics of heritage. The third of three volumes, this book discusses topics related to mapping, cartography and landscape, as well as innovative education methods, particularly in the context of teaching architectural heritage. It covers historical cartography and new cartographies, as well as methods for representing the landscape, and reports on different learning methods and practices, including classroom methods but also those involving more active participation and multidisciplinary and collaborative production. Given its scope, this book will appeal cartographers, designers and teachers, providing them with extensive information on innovative methodologies and a source of inspiration for their future work.
Voiture Minimum
A colorful account of Le Corbusier's love affair with the automobile, his vision of the ideal vehicle, and his tireless promotion of a design that industry never embraced. Le Corbusier, who famously called a house “a machine for living,” was fascinated—even obsessed—by another kind of machine, the automobile. His writings were strewn with references to autos: “If houses were built industrially, mass-produced like chassis, an aesthetic would be formed with surprising precision,” he wrote in Toward an Architecture (1923). In his “white phase” of the twenties and thirties, he insisted that his buildings photographed with a modern automobile in the foreground. Le Corbusier moved ...
