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The Hydra's Tale
Imagine a disgusting experience. Now think about your response. What was it about the moment that made you turn your head, that led your lip to curl and nose to wrinkle? Disgust has many triggers, some obvious, others less so. What disgusts us is never irrevocably fixed and certain. It changes from culture to culture and even, at times, within a culture. This fluidity makes the term disgust at once deadly simple and extremely complex. In The Hydra's Tale, Robert Rawdon Wilson treats the experience of disgust: not from the perspective of the disgusting object-in-the-world, but from its representation. Disgust marks either a slip over the border of the socially sanctioned or a struggle to keep someone or something from crossing that border. Working through the spectrum of human response, culture, and art, Wilson teases out the assumptions that underpin the disgust response.
The Rushdie Letters
In February 1989 Ayatollah Ruhollah Khomeini of Iran announced that Salman Rushdie, author of The Satanic Verses, and "all involved in its publication who were aware of its content, are sentenced to death." Anyone who died in the cause of killing Rushdie, he said, would be "regarded as a martyr and go directly to heaven."ΓΈ The death sentence?or fatwa?quickly drew blood. Bookshops in London, Oslo, and Sydney were firebombed. Five people were killed and a hundred wounded when demonstrators attacked the U. S. embassy in Islamabad. In Bombay, twelve rioters were shot dead. The Italian translator of The Satanic Verses was stabbed viciously and the Japanese translator was stabbed to death. In Berkeley, bombs were thrown in Cody?s Bookstore and Waldenbooks. Fifth Avenue in New York was sealed off after a bookshop received a bomb threat. In The Rushdie Letters twenty-six internationally renowned authors respond to the most extreme example of censorship in modern times. Also included is Rushdie?s reply to their letters, his essay on exile, "One Thousand Days in a Balloon," and a chronology of the fatwa.
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The Crescent and the Pen
This is a book about a writer, Islamic fundamentalism, mythmaking, and international literary politics. It is the story of Taslima Nasreen, a former medical doctor and protest writer who shot to international fame in 1993 at the age of thirty-four after she was accused of blasphemy by religious fanatics in Bangladesh and her book Shame was banned. In order to escape a warrant for her arrest, the controversial writer went underground and, as the official story has it, fled to the West where she became a human rights celebrity, a female version of Salman Rushdie. Taslima Nasreen's name almost became a household word in 1994, when she was awarded the Sakharov Prize by the European Parliament, a...
