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Witches Vanish
In a series of stylized, highly visual vignettes employing puppetry, poetry, and surrealism, the Weird Sisters from Macbeth explore the stories of women who disappear, whether by choice or force. Inspired by history, astronomy, and Shakespeare, Witches Vanish examines the nature of change and the value of human life.
Bassinet
Poems on the roles of husband and father. Dan Rosenberg's third collection of poetry moves from loss into parenthood, exploring the roles of husband and father: their limits, their possibilities, and how they intersect with the wider world. Grounded in the familial, these poems wrestle with the political and the ecological, with heritage and hope, reimagining the breadth of home and what it means for one man to raise another to love it.
The Paris of Appalachia
- Whitest large metro area in the counrty -- Deer people.
Regular Haunts
Gerald Costanzo, long known as one of the best contemporary poets of satire, focuses specifically on American themes that, though presented as parables, fables, jokes, and put-ons, remain darkly serious in tone. His subject is the mythic landscape of America itself: the transitory, popular, consumer culture of late twentieth- and early twenty-first-century life. Costanzo evokes a sense of having arrived on the scene too late, of having missed the heyday of American innocence and possibility, and now—in the present—is forced to live with diminished experience. He mourns a culture where genuine emotion cannot be found but where its semblance can be endlessly marketed. Regular Haunts is a retrospective collection of Costanzo’s work that also includes nearly thirty new poems.
Black Sea
New Poetry
Anthropocene Lullaby
Lyric and prose poems on the anthropocene. The poems of Anthropocene Lullaby move from the micro to the macro, from dragonflies to galaxies, from the intersecting forces of climate change, capitalism, and digital technologies to intersecting anxieties of selfhood and motherhood. These lyric and prose poems track change--underway and inevitable, personal and impersonal, generative and apocalyptic.
We Were Once Here
New Poetry
Any God Will Do
"There are no machine guns, or cameras, here." Any God Will Do is a collection that investigates the lines between worldliness and asceticism, belief and delusion, chance and design, desire and its transcendence. Internal and end rhyme structure these pithy and compact poems that are rife with classical, pop culture, and poetic allusions. They culminate in an argument that intimacy and creation through language are not only possible within a capitalist framework, but indeed may be the only ballasts we know.
This Long Winter
"This Long Winter contains poems that are meditations on life in the rural world: reflections on hard work, aging, and the ravages of time-erasures that Sutphen attempts to ameliorate with her careful attention to language. These poems move us from delight in precise description to wisdom and solace in the things of this world. Noticing its details, the snowflakes, clementines, the lilies, the cardinal's call, is the key for this momentary stay against time that comes at us in a rush. The many mirror images in these poems point to the complexity and hard, loving work of really living in the world. And now, in the deep mid-winter, deep in the enforced slowdown of this pandemic, we need these poems to help us know what to do with the past and how to live and how to love"--
Cracking the Digital Ceiling
A global examination of what influences women's participation in computing and what can be done to fix the gender gap.
