Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
I Know My Name
‘Atmospheric, mysterious and intense . . . ’ C. L. Taylor ’So, so good and very clever’ C.J. Tudor ‘grip-lit at its best’ Elle
The Boy Who Could See Demons
I first met my demon the morning that Mum said Dad had gone. 'My name is Alex. I'm ten years old. I like onions on toast and I can balance on the back legs of my chair for fourteen minutes. I can also see demons. My best friend is one. He likes Mozart, table tennis and bread and butter pudding. My mum is sick. Ruen says he can help her. Only Ruen wants me to do something really bad. He wants me to kill someone.'
The Lighthouse Witches
Don’t miss the brand-new chilling gothic thriller from the bestselling author . . .
The Guardian Angel's Journal
She thought her life was over, but it hadn't even started. . . When Margot Delacroix dies at forty years old, she is sent back to earth as a guardian angel - to herself. Renamed Ruth, she is forced by divine mandate to re-experience and record her biggest mistakes and fiercest regrets from the beginning of her life to her untimely death. Forced from the moment of her birth to witness the cogs of fate and the stuttering engine of free will, Ruth sets out to change the course of her life, and, ultimately, to prevent her premature death. When she realises that the reasons behind her teenage son's descent into drugs and murder lay within her own actions as Margot, she makes a pact with a demon - she will give up her place in Heaven in exchange for the opportunity to save her son from his fate. But the changes she makes result in consequences no one could expect. . .
Inroads
Shortlisted for the London Festival Fringe Prize for the Best First Collection of Poetry 2010. This debut collection from Seren, Inroads, showcases a startling new talent. Carolyn Jess-Cooke has a sophisticated poetic intelligence as well as a great sense of fun. The opening piece, 'Accent' where 'stowaway inflections and locally-produced slang/have passports of their own' is a praise poem for the versatility and joy of language, "The way sound chases itself in tunnels and halls, the way senses fold memory...". This verbal fluency and dexterity are employed to offer us poems that are multi-faceted and often paradoxical. 'Aeneas Finds Dido on YouTube' is part satire, part tender re-enactment ...
The Nesting
A perfect atmospheric thriller for this Halloween . . .
Boom!
The title poem of this new collection of poems by Carolyn Jess-Cooke: 'Boom!' enacts the moment when the new baby arrives in the family 'like a hand grenade'. 'Becoming a mother changed me in every single way,' says the author, 'my first child - born in October 2006 - just about knocked me sideways. There were many reasons for this, but here's the biggest one: I could not believe how public and political the (hugely personal) experience of motherhood was.' A noted academic, author of a book about film and Shakespeare, and a best-selling popular novelist 'The Guardian Angel's Journal' and 'The Boy Who Could See Demons', Jess-Cooke found, as many parents do, that the juggling act required to r...
Film Sequels
The film sequel has been maligned in popular culture as a vampirish corporative exercise in profit-making and narrative regurgitation. Drawing upon a wide range of examples from early cinema to the twenty-first century, this volume reveals the increasing popularity of, and experimentation with, film sequels as a central dynamic of Hollywood cinema. Now creeping into world cinemas and independent film festivals, the sequel is persistently employed as a vehicle for cross-cultural dialogue and as a structure by which memories and cultural narratives can be circulated across geographical and historical locations. This book aims to account for some of the major critical contexts within which sequelisation operates by exploring sequel production beyond box office figures. Its account ranges from sequels in recent mainstream cinema, art-house and 'indie' sequels, non-Hollywood sequels, the effects of the domestic market on sequelisation, and the impact of the video game industry on Hollywood.
Second Takes
The first collection of essays devoted to the phenomenon of the film sequel.
The Blame Game
A horrific car crash has devastated Helen Pengilly’s family.
