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The Only Wonderful Things
A groundbreaking new look at American novelist Willa Cather's creative process What would Willa Cather's widely read and cherished novels have looked like if she had never met magazine editor and copywriter Edith Lewis? In this groundbreaking book on Cather's relationship with her life partner, author Melissa J. Homestead counters the established portrayal of Cather as a solitary genius and reassesses the role that Lewis, who has so far been rendered largely invisible by scholars, played in shaping Cather's work. Inviting Lewis to share the spotlight alongside this pivotal American writer, Homestead argues that Lewis was not just Cather's companion but also her close literary collaborator an...
Willa Cather
Previous biographies of Willa Cather have either recycled the traditional view of a writer detached from social issues whose work supported a wholesome view of a vanished America, or they have focused solely on revelations about her private life. Challenging these narrow interpretations, Janis P. Stout presents a Cather whose life and quietly modernist work fully reflected the artistic and cultural tensions of her day. A product of the South--she was born in Virginia--Cather went west with her family at an early age, a participant in the aspirations of Manifest Destiny. Known for her celebrations of immigrants on the prairie, she in fact shared many of the ethnic suspicions of her contempora...
The World of Willa Cather
The World of Willa Cather describes the people and places in Nebraska that figure prominently in many of Cather’s best novels and short stories. It offers material that can be found nowhere else. Here are Willa Cather of Red Cloud, her family and friends, and the things that formed her sensibilities.
Cather Studies
Volume 2 of Cather Studies demonstrates the range of topics and approaches in contemporary discussions of Willa Cather?s work for the informed reader or the specialized student.This volume includes major essays on Cather's response to the cultural pessimism of Oswald Spengler, her affinities to Alphonse Daudet, and aspects of her art in My Antonia, The Professor's House, and Shadows on the Rock.
A Calendar of the Letters of Willa Cather
An infamous clause in Willa Cather's will, forbidding publication of her letters and other papers, has long caused consternation among Cather scholars. For Cather, a complex and private person who seldom made revelatory public pronouncements, personal letters provide-or would provide-an especially valuable key to understanding. But because of the terms of her will, that key is not readily available. Cather's letters will not come into public domain until the year 2017. Until then, even quotation, let alone publication in full, is prohibited. Janis P. Stout has gathered over eighteen hundred of Cather's letters--all the letters currently known to be available--and provides a brief summary of each, as well as a biographical directory identifying correspondents and a multisection index of the widely scattered letters organized by location, by correspondent, and by names and titles mentioned. This book will be an essential resource for Cather scholars.
Willa Cather and Material Culture
A compilation of essays focusing on the significance of material culture to Cather’s work and Cather scholarship. Willa Cather and Material Culture is a collection of 11 new essays that tap into a recent and resurgent interest among Cather scholars in addressing her work and her career through the lens of cultural studies. One of the volume's primary purposes is to demonstrate the extent to which Cather did participate in her culture and to correct the commonplace view of her as a literary connoisseur set apart from her times. The contributors explore both the objects among which Cather lived and the objects that appear in her writings, as well as the commercial constraints of the publishi...
Cather Studies, Volume 10
Willa Cather and the Nineteenth Century explores, with textual specificity and historical alertness, the question of how the cultures of the nineteenth century—the cultures that shaped Willa Cather’s childhood, animated her education, supplied her artistic models, generated her inordinate ambitions, and gave embodiment to many of her deeply held values—are addressed in her fiction. In two related sets of essays, seven contributors track within Cather’s life or writing the particular cultural formations, emotions, and conflicts of value she absorbed from the atmosphere of her distinct historical moment; their ten colleagues offer a compelling set of case studies that articulate the manifold ways that Cather learned from, built upon, or resisted models provided by particular nineteenth-century writers, works, or artistic genres. Taken together with its Cather Studies predecessor, Willa Cather and Modern Cultures, this volume reveals Cather as explorer and interpreter, sufferer and master of the transition from a Victorian to a Modernist America.
Picturing a Different West
Picturing a Different West addresses Willa Cather and Mary Austin as central figures in a women's tradition of the pictured West. Both Cather and Austin moved west in their youth and spent much of their lives there. Cather lived on the Great Plains, while Austin resided in California and the Southwest. Cather's travels repeatedly took her to the Southwest, and she wrote three novels with Southwestern settings. Starting with the masculine tradition of Western art that was prevalent when Austin and Cather launched their careers, Janis P. Stout shows how the authors challenged and revised that tradition. Rather than a West of adventure, violence, and conquest, open only to rugged and daring men...
Obscure Destinies
The jacket of the first edition of Obscure Destinies announced ?Three New Stories of the West,? heralding Willa Cather?s return to what many thought of as ?her? territory?the Great Plains. These three stories, ?Neighbour Rosicky,? ?Old Mrs. Harris,? and ?Two Friends,? reflected her return to the well of memory that had inspired the books that made her reputation. The WillaøCather Scholarly Edition presents for the first time the three stories in their historical and biographical context, with an interpretive historical essay and detailed explanatory notes. The textual essay and apparatus establish the definitive text and trace Cather?s changes through newly discovered prepublication versions.
Willa Cather Remembered
The Willa Cather whom friends and acquaintances knew is not well known to contemporary readers. Bourgeois and midwestern, she was not a member of the Social Registerøsociety like Edith Wharton nor of the avant-garde or expatriate circles, as was Gertrude Stein, nor was she a member of the "lost generation" of the younger F. Scott Fitzgerald and Ernest Hemingway. In the 1920s Cather turned fifty and was intent on fully developing her talent, writing six major novels during that decade. Willa Cather Remembered comprises reminiscences of the author written between the 1920s and 1980s by people ranging from close friends to journalistic observers and acquaintances. The materials are drawn from ...
