You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Like James Ellroy's, My Dark Places, DOWN CITY is a gripping narrative built of memory and reportage, and Leah Carroll's portrait of Rhode Island is sure to take a place next Mary Karr's portrayal of her childhood in East Texas and David Simon's gritty Baltimore. Leah Carroll's mother, a gifted amateur photographer, was murdered by two drug dealers with Mafia connections when Leah was four years old. Her father, a charming alcoholic who hurtled between depression and mania, was dead by the time she was eighteen. Why did her mother have to die? Why did the man who killed her receive such a light sentence? What darkness did Leah inherit from her parents? Leah was left to put together her own f...
From the refugee crisis to the 'hostile environment', what do borders look and feel like in Brexit Britain?
The pop singer explores her life and career.
The results of more than seventy years of investigation, by factor analysis, of the varieties of cognitive abilities, are described with particular attention to abilities in language, thinking, memory, visual and auditory perception, creativity, etc.
Finalist for a Lambda Literary Award Finalist for the Publishing Triangle’s Judy Grahn Award for Lesbian Nonfiction Finalist for the Marfield Prize For fans of Book of Ages and American Eve, this “lively, illuminating new biography” (The Boston Globe) of 19th-century queer actress Charlotte Cushman portrays a “brisk, beautifully crafted life” (Stacy Schiff, bestselling author of The Witches and Cleopatra) that riveted New York City and made headlines across America. All her life, Charlotte Cushman refused to submit to others’ expectations. Raised in Boston at the time of the transcendentalists, a series of disasters cleared the way for her life on the stage—a path she eagerly t...
Who is R. Kelly? Three-time Grammy winner, who has sold more than 35 million records worldwide. Legendary writer and producer, who collaborated with such music icons as Michael Jackson, Celine Dion, Jay-Z, and Aretha Franklin. Visionary cultural messenger, who created the hip hopera phenomenon Trapped in the Closet. Creative genius. Sex symbol. The man who puts the "R" in R&B. Through the iconic anthem "I Believe I Can Fly" and such sexy R&B mega-hits as "Bump N’ Grind," "Ignition," and "When a Woman’s Fed Up," R. Kelly has proven to be one of the greatest musical talents of his generation. Yet his rollercoaster ride to the top has been as perilous as it has been exhilarating. In Soulaco...
Enter a world of Egyptian pharaohs and ancient curses from the Queen of Historical Fiction.London, 1922. A discovery from ancient Egypt . . .A cursed package . . .The untold story of a young pharaoh . . .When Lilian Kaye finds a parcel on her grandad's doorstep, she is shocked to see who sent it: a famous Egyptologist, found dead that very morning, according to every newspaper in England!The mysterious package holds the key to a story . . . about a king whose tomb archaeologists are desperately hunting for.Lil and her friends must embark on an incredible journey - to return the package to its resting place, to protect those they love, and to break the deadly pharaoh's curse . . .'This crisp, beautifully paced story will hold every young reader in thrall.' Telegraph'Hooked yet? You'd have to be dead and wrapped in bandages not to be.' The Times
Subtitle in pre-publication: A memoir of friendship, sex, and murder in the Hollywood Hills.
An irresistible return to World War Two for the Queen of Historical Fiction.
Lacing cultural criticism, Victorian literature, and storytelling together, Too Much explores how culture corsets women's bodies, souls, and sexualities - and how we might finally undo the strings. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, Too Much encourages women to reconsider the beauty of their excesses - emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's 'hysterical' behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us 'too much'.