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Ophthalmology of Exotic Pets
This quick reference handbook covers the diagnosis and treatment of eye disease in a range of exotic companion animal species, including rabbits, rodents, reptiles, birds, amphibians and fish. It clarifies when extrapolation from cat or dog eyes is appropriate, or when new information is needed to ensure that diagnoses and treatments are appropriate for the particular species. Writing in an accessible and down to earth style, the author brings a wealth of personal experience to this specialised subject area. The book contains many ophthalmic photographs of both anatomy in normal eyes and pathology in abnormal cases. It also includes a separate chapter on the common ophthalmic features of exo...
The Art of Falconry, by Frederick II of Hohenstaufen
De Arte Venandi cum Avibus was written shortly before the year 1250 by Frederick II, Holy Roman Emperor, King of Sicily and Jerusalem, in whose court, with its remarkably cosmopolitan and highly intellectual life, may be found the real beginning of the Italian Renaissance. In spite of its title, it is far more than a dissertation on hunting. There is a lengthy introduction dealing with the anatomy of birds, an intensely interesting description of avian habits, and the excursions of migratory birds. Indeed, this ancient book has long been recognized as the first zoological treatise written in the critical spirit of modern science. The sumptuous volume now in hand is, however, the first translation into English of the complete text, originally divided into a prologue and size books. Together, the translators and editors, have at last made available this classic work and have adorned it with notes, comments, bibliographies, and glossary. They have produced a work of great value to zoologists--especially the ornithologist--and also to everyone interested in the history of science and in medieval art and letters.
The Republic of Color
The Republic of Color delves deep into the history of color science in the United States to unearth its origins and examine the scope of its influence on the industrial transformation of turn-of-the-century America. For a nation in the grip of profound economic, cultural, and demographic crises, the standardization of color became a means of social reform—a way of sculpting the American population into one more amenable to the needs of the emerging industrial order. Delineating color was also a way to characterize the vagaries of human nature, and to create ideal structures through which those humans would act in a newly modern American republic. Michael Rossi’s compelling history goes far beyond the culture of the visual to show readers how the control and regulation of color shaped the social contours of modern America—and redefined the way we see the world.
