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Opera, Or, The Undoing of Women
This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.
Theo's Odyssey
An international bestseller being published in more than 20 countries, "Theo's Odyssey" is an extraordinary journey through the world's religions that does for spirituality what "Sophie's World" did for philosophy.
Martin and Hannah
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The Newly Born Woman
Published in France as La jeune nee in 1975, and now translated for the first time into English, The Newly Born Woman seeks to uncover the veiled structures of language and society that have situated women in the position called 'woman's place.'
The Lives and Legends of Jacques Lacan
If Catherine Clément took to writing the Lives and Legends of Jacques Lacan, it was not only to reconnect with her lost youth. It was an act of fidelity. She set out to portray her own private Lacan, the figure she kept behind other people's gloss and commentary.
The Feminine and the Sacred
In November 1996, Clement and Kristeva began a correspondence exploring the subject of the sacred. In this collection of those letters Clement approaches the topic from an anthropologist's point of view while Kristeva responds from a psychoanalytic perspective.
The Weary Sons of Freud
The Weary Sons of Freud lambasts mainstream psychoanalysis for its failure to grapple with pressing political and social matters pertinent to its patients' condition. Gifted with insight and compelled by fury, Catherine Clment contrasts the original, inspirational psychoanalytical work of Freud and Lacan to the obsessive imitations of their uninspired followers-the weary sons of Freud. The analyst's once attentive ear has become deaf to the broader questions of therapeutic practice. Clement asks whether the perspective of socialism, brought to this study by a woman who is herself an analysand, can fill the gap. She reflects on her own history, as well as on that of psychoanalysis and the French left, to show what an activist and feminist restoration of the talking cure might look like.
The Call of the Trance
The Call of the Trance is a magnificent book which takes us to the frontiers of the forbidden. These states of 'eclipse’ from life that are pursued by every human being who is in search of meaning are elusive and invariably inexpressible. From initiation ceremonies to crises of hysteria, from suicide attempts to the ecstasies of witches, Catherine Clément explores in simple but scholarly terms the responses that civilizations have offered to this need to disappear. These human beings whose marginal status is a source of anxiety are persecuted by social and religious rules. From the witches of Loudun to current Mongolian shamans, from the eighteenth-century Convulsionaries of Saint-Médard to Greeks of today dancing on the embers of their fires, Clément questions the countless means desire employs to push back the limits of the body. She shows how, from Dionysian antiquity to our own day, the petite mort of the trance state shows up in the lovers’ coup de foudre, in anorexia, rock music, rap, sexual reassignment, eroticism and even Twilight-style vampire stories.
Siren Songs
It has long been argued that opera is all about sex. Siren Songs is the first collection of articles devoted to exploring the impact of this sexual obsession, and of the power relations that come with it, on the music, words, and staging of opera. Here a distinguished and diverse group of musicologists, literary critics, and feminist scholars address a wide range of fascinating topics--from Salome's striptease to hysteria to jazz and gender--in Italian, English, German, and French operas from the eighteenth to the twentieth centuries. The authors combine readings of specific scenes with efforts to situate these musical moments within richly and precisely observed historical contexts. Challen...
The Newly Born Woman
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