You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
‘This work goes where other books fear to tread. It reaches the parts other scholars might imagine in their dreams but would neither have the international reach nor the critical acumen and forensic flourish to deliver.’ Alan Read, King's College London ‘This book is not only timely. It is overdue – and it is a masterpiece unrivalled by any book I know of.’ Erika Fischer-Lichte, Freie Universität Berlin ‘The first and only book that focuses on the intersections of performance, terror and terrorism as played out beyond a Euro-American context post-9/11. It is an important work, both substantively and methodologically.’ Jenny Hughes, University of Manchester ‘A profound and ti...
None
While recognizing Scott's undeniable contributions to contemporary popular cinema, the volume does not shy away from honest and well-evidenced critique. Each chapter's approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine such topics as gender roles and feminist theory; philosophical abstractions like ethics, honor, and personal responsibility; historical memory and the challenges of accurately rendering historical events on screen; literary archetypes and generic conventions; race relations and the effect of class difference on character construction; how religion shapes personal and collective values; the role of a constantly changing technological universe; and the schism between individual and group-based power structures.
In Religions on the Move, Afe Adogame and Shobana Shankar present essays on religious expansion beyond Christian missions, focusing on activities of migrants from Africa, Asia, and Latin America spreading their faiths in Europe, North America, and within the “South.”
None
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contem...
In marked contrast to literary, historical and cultural studies, there has been a limited engagement with the concepts and politics of trauma by political science and peacebuilding research. This book explores the debate on trauma and peacebuilding and presents the challenges for democratization that the politics of trauma present in transitional periods. It demonstrates how ideas about reconciliation are filtered through ideological lenses and become new ways of articulating communal and ethno-nationalist sentiments. Drawing on the work of Jacques Rancière and Iris Marion Young and with specific reference to the Northern Irish transition, it argues for a shift in focus from the representation of trauma towards its reception and calls for a more substantive approach to the study of democracy and post-conflict peacebuilding. This text will be of interest to scholars and students of peace and conflict studies, ethnic and nationalism studies, transitional justice studies, gender studies, Irish politics, nationalism and ethnicity.
Twelve years ago I ruined my life. Lost the one girl I've ever truly loved and I've been living a lie ever since. I go home to my wife...most nights. But I'm just going through the motions, living the life I was born into, married to a girl predestined for me. It's not my wife's fault, but sometimes I can barely stand the sight of her. Do I sound like a heartless bastard? That's exactly what I am. Go ahead and hate me if you want, but you couldn’t possibly hate me more than I already hate myself. My name is Dylan Cole. It's a name synonymous with power. I am rich beyond measure, domineering, and ruthless when it comes to getting what I want. But I cannot have her. This is what happened...When I Let You Go When I Let You Go is the sixth and final book in Lily Foster's best-selling Let Me series. Dylan Cole's story is a seriously steamy, forbidden age gap romance intended for the 18 and older crowd due to mature language and sexual content. Read them in order, or in any order you like: Let Me Be the One: Darcy and Tom Let Me Love You: Rene and Caleb Let Me Go: Dylan and Kasia Let Me Heal Your Heart: Anna and Declan Let Me Fall: Carolyn and Jeremy When I Let You Go: Dylan