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Art and Interpretation is a comprehensive anthology of readings on aesthetics. Its aim is to present fundamental philosophical issues in such a way as to create a common vocabulary for those from diverse backgrounds to communicate meaningfully about aesthetic issues. To that end, the editor has provided selections from a wide variety of challenging works in aesthetic theory, both classical and modern. The approach is often cross-disciplinary. Within the discipline of philosophy it seeks to balance readings from the analytic tradition with continental European, hermeneutical postmodern (including deconstructionist), and feminist readings. The anthology is thus broadly conceived, but by grouping the readings into sections such as ‘Expression and Aesthetic object,’ ‘Psychology and Interpretation,’ ‘Marxist Theory,’ and ‘Culture, Gender, and Difference,’ it aims as well to provide depth of coverage for each topic or issue. The book opens with a historical section containing substantial selections from Plato, Aristotle, Hume, Kant, Shelley and Nietzsche; these readings introduce themes that recur and are developed in the remainder of the anthology.
A remote, government-run facility in Saskatchewan called The Farm, offers terminally ill patients an opportunity to die on their own terms, and the sky is the limit. Some choose a quiet, peaceful passing, while others choose more elaborate, thriller-movie endings carried out by hired professionals. Operations are running smoothly for the facility’s manager, Captain Travis Hawkins, until two mysterious new clients arrive on the scene. Soon, terrorist threats by religious zealots are uncovered, dark secrets are revealed, a twisted contract killer sets his sights on his beautiful target, and the moral lines at The Farm become even blurrier than they already were.
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