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This 1982 book was the first major critical study of Jaroslav Hašek and his most important literary creation, The Good Soldier Švejk. For many people Hašek's book is simply extremely funny. Cecil Parrott begins from the point of view that a closer examination of the conditions under which the book was written reveal it to be a much deeper work than it appears on the surface: a tragic as well as a comic masterpiece. A leading authority on Hašek, Parrott wrote the definitive biography, The Bad Bohemian, and translated the unexpurgated version of Švejk and many of Hašek's short stories. This book is lucidly written and aimed at the non-specialist reader who requires guidance in coming to terms with this strange book. All quotations are translated, and the book also includes a number of illustrations including the only sketch of Švejk that Hašek approved.
Good-natured and garrulous, Svejk becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I - although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle. Cecil Parrott's vibrant translation conveys the brilliant irreverence of this classic about a hapless Everyman caught in a vast bureaucratic machine.
In 1958, after fourteen years of military occupation, Khrushchev--in an unprecedented act--withdrew the Soviet Union's troops from Romania as part of a political move intended to encourage the withdrawal of Western military forces from Europe. In analyzing this crucial historic episode, Sergiu Verona's comprehensive study illustrates the dynamics of Soviet military presence in Romania and provides a framework for understanding Soviet security policy, then and now, as well as the interaction between Soviet military objectives and diplomacy. Drawing on declassified archival material in the United States and the United Kingdom, the author considers Khrushchev's reversal of Stalinist expansionis...
Routledge Translation Guides cover the key translation text types and genres and equip translators and students of translation with the skills needed to translate them. Concise, accessible and written by leading authorities, they include examples from existing translations, activities, further reading suggestions and a glossary of key terms. Literary Translation introduces students to the components of the discipline and models the practice. Three concise chapters help to familiarize students with: what motivates the act of translation how to read and critique literary translations how to read for translation. A range of sustained case studies, both from existing sources and the author’s o...
Galligan (Professor Emeritus, English, Western Michigan U.-Kalamazoo) argues that contemporary American critics should embrace literary truths with all of their uncertainties rather than cling to make- believe certainties of ideologies. He celebrates values commonly associated with modern, not postmodern, criticism, applying them to contemporary works in a series of fresh and unusual inquiries. He finds implications for criticism in work from the physical sciences and in the works of largely ignored novelists. Annotation copyrighted by Book News, Inc., Portland, OR
This book seeks to answer three vital questions about the worldwide response to Hitler's "Final Solution": When did information about the genocide first become known to Jews and non-Jews? Through what channels was this information transmitted? What was the reaction of those who received word of the slaughter? Walter Laqueur's quest focuses on the period between June 1941, when Germany invaded the Soviet Union, and December 1942, by which time the United Nations had confirmed the news about the mass killings in a common declaration. By the end of 1942, Chelmno, Belzec, Auschwitz, Maidanek, Sobibor, and Treblinka were fully operational and two and a half million Jews had already been killed. A...