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Books and Ideas After Seth Siegelaub
Seth Siegelaub, (b. 19412013, New York) curator, gallery owner and author is best known for his promotion of conceptual art in New York during the 1960s and 70s. Books and Ideas after Seth Siegelaub looks at the books produced by Siegelaub in the 60s and their renewed influence on artists and their publications today. Pichler, curator of the exhibition at the Center for Book Arts NY (2013), offers this catalog as a window into an ongoing conceptual discourse with Siegelaubs books as the platform. Extensive illustrations and bibliographic details are featured including Siegelaubs Xerox Book (1968), which was printed in offset but has since been xeroxed and openly reproduced by numerous artists and publishers. His publications, often taken as starting points for new projects, are substantial artworks in their own right. Also included: Siegelaubs work with the Art Workers Coalition, a draft of The Artists Reserved Rights Transfer and Sale Agreement on contemporary art and activism, and a last interview with Siegelaub by Pichler.
Bookforms
Brought to you by the instructors at the Center for Book Arts, Bookforms is a comprehensive guide for making books by hand with a focus on functionality in design. Written by the experts at the Center for Book Arts in New York, Bookforms presents all the instruction you need to craft by hand a comprehensive array of historic bookbinding styles from all over the world. Bookforms traces the functional roots of each structure, explains their appropriateness for various uses, and provides projects for making an essential structure for each style of binding. Topics covered include: Why books work: General bookbinding principles for functionality and what we can learn from the past What you need to know for planning a special book or embarking on an edition How materials affect function Bookforms tackles a wide range of projects for all levels of bookbinders. You'll see everything from sewn and ticketed blank books and traditional western codex book forms, to scrapbooks and albums, Asian stab-sewn bindings, unusual structures, and aesthetics/embellishments. What better time to dive into this venerable and unique hobby than now?
The Speech Writer
The Speech Writer is a fictional documentary presented in the form of ten flip books (6 x 12 cm) in a slipcase. The contents follow a day in the life of a retired political speech writer. Surrounded by the memories of his family and his vast collection of speeches, he is a creature of habit, idiosyncratic behaviour and reclusive existence. Retired from a lifetime of public service work, his connection with the outside world takes the form of a daily broadcast from the comfort of his home. Passersby, now accustomed to the perplexing array of loudspeakers wired to the outside of his house, stop to listen for a few moments each day. We cannot hear him speak but witness instead a moment of ultimate freedom in the life of a man who formulated the rhetoric, visions, dreams and declarations of others.
Publishing as Practice
On the work of three contemporary artist's-book publishers who have developed fresh ways of broaching politics in publishing This book documents Publishing as Practice, a residency at Ulises--a curatorial platform based in Philadelphia--that explores publishing as an incubator for new forms of editorial, curatorial and artistic practice. Over the course of two years, three publishers activated Ulises as an exhibition space and public programming hub, engaging the public through workshops, discussions and projects. Residents included Hardworking Goodlooking, the publishing arm of Philippines-based, social-practice platform The Office of Culture and Design; Dominica, an imprint run by Martine Syms dedicated to exploring Blackness as a topic, reference, marker and audience in visual culture; and Bidoun, a non-profit organization focused on art and culture from the Middle East and its diasporas. The book features a preface by David Senior, an essay by Gee Wesley and Ulises Carrión's 1975 publishing manifesto "The New Art of Making Books," alongside documentation of the works produced.
The Art of the Fold
"The influential artist Hedi Kyle and renowned architecture graduate Ulla Warchol shows you how to create their unique designs using folding techniques. From creating flag books and fishbones, to blizzards and nesting boxes, you'll gain an invaluable insight into the work of two skilled artists with this fun read! With the help of their thorough instructions and simple illustrations, you'll be on your way to becoming a pro paper crafter in no time at all" – Sew magazine "A wonderful insight into the work of a truly skilled artist" – PaperCrafter The renowned and influential book artist Hedi Kyle shows you step–by–step how to create her unique designs using folding techniques in The A...
Clothespin Tarot
Consists of an 86-page hardcover book with text and reproductions of the original drawings, a deck of 78 cards and an original Clothespin Freak sculpture. All elements of the work are hand made and housed in a cloth-bound slipcase. Complete book production information can be found online at:
In Search of the Book As a Work of Art
In Search of the Book as a Work of Art asks questions about how we understand the words 'art' and 'book' and what happens when we put them together. It argues that the categories by which we have distinguished different kinds of books no longer tell us what we are looking at when we look at new books, including many made by trade publishers. Categories like 'fine press book' and 'artist book' have served useful purposes in the past, but are now redundant in the face of the incredible range of categorical overlaps in books that people are actually making. Along the way, this book explores and explodes a number of current ideas about books whose use-by dates are seen by the author as well and ...
A History of Arab Graphic Design
The first-ever book-length history of Arab graphic design PROSE AWARD WINNER, ART HISTORY & CRITICISM Arab graphic design emerged in the early twentieth century out of a need to influence, and give expression to, the far-reaching economic, social, and political changes that were taking place in the Arab world at the time. But graphic design as a formally recognized genre of visual art only came into its own in the region in the twenty-first century and, to date, there has been no published study on the subject to speak of. A History of Arab Graphic Design traces the people and events that were integral to the shaping of a field of graphic design in the Arab world. Examining the work of over ...
