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Michalis Pichler
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Michalis Pichler
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Books and Ideas After Seth Siegelaub
Seth Siegelaub, (b. 19412013, New York) curator, gallery owner and author is best known for his promotion of conceptual art in New York during the 1960s and 70s. Books and Ideas after Seth Siegelaub looks at the books produced by Siegelaub in the 60s and their renewed influence on artists and their publications today. Pichler, curator of the exhibition at the Center for Book Arts NY (2013), offers this catalog as a window into an ongoing conceptual discourse with Siegelaubs books as the platform. Extensive illustrations and bibliographic details are featured including Siegelaubs Xerox Book (1968), which was printed in offset but has since been xeroxed and openly reproduced by numerous artists and publishers. His publications, often taken as starting points for new projects, are substantial artworks in their own right. Also included: Siegelaubs work with the Art Workers Coalition, a draft of The Artists Reserved Rights Transfer and Sale Agreement on contemporary art and activism, and a last interview with Siegelaub by Pichler.
Publishing Manifestos
Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice. Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue—or even medium—for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts ...
Un Coup de Dés Jamais N'abolira Le Hasard (Sculpture)
A stunning new edition of a French symbolist poet's long out-of-print artist's book This volume reproduces the original 1914 edition of Stéphane Mallarmé's eponymous poem. Published 16 years after Mallarmé's death, Un coup de déswas groundbreaking for its intimate combination of free verse and unusual typographic layout, foretelling the 20th century interest in graphic design and concrete poetry.
New York Garbage Flag Profile
Tiré du site Internet de Revolver: "A collection and archival documentation of discarded commodities, which carried depictions of American Flags, found in public space in New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry."
Publishing as Artistic Practice
What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing new ruptures. How the traditional publishing framework has been cast adrift, and which opportunities are surfacing in its stead, is discussed here by artists, publishers, and scholars through the examination of recent publishing concepts emerging from the experimental literature and art scene, where publishing is often part of...
Michalis Pichler
MICHALIS PICHLER es el primer libro/monografía centrado en la práctica del artista y autor radicado en Berlín Michalis Pichler. El libro está editado por Annette Gilbert y Clemens Krümmel. La publicación explora un cuerpo de publicaciones de artista y otras obras de Pichler que hace un uso estratégico de material encontrado y usado previamente, incluidas fuentes derivadas de imágenes, objetos, sonidos, textos o pensamientos. Su subtítulo más bien largo se deriva de una publicación de Lucy-Lippard : Trece años: La materialización de las ideas de 2002 a 2015: un libro de información de referencia cruzada sobre algunos límites estéticos: compuesto por una bibliografía en la que...
