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The Art of the Everyday
A collection of essays on the quotidian in philosophy, cinema, theater, photography, and other visual arts in postwar France, published in conjunction with an exhibition of contemporary French artists at the Grey Art Gallery of New York University in spring 1997. Includes many color photos. No index. Annotation copyrighted by Book News, Inc., Portland, OR
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Un archipel de désirs
Exposition réunissant plus de soixante oeuvres d'artistes et de vidéastes du Québec qui se sont fait connaître sur la scène internationale. Comprend divers textes de réflexion, suivis du catalogue des oeuvres et d'une documentation abondante.
Les sciences humaines dans le centre de l’art
Cet ouvrage propose de décrypter le rôle des sciences humaines dans l’art contemporain au fil de son développement et de son institutionnalisation en France. Cette approche communicationnelle s’intéresse aussi bien aux pratiques qu’aux discours, aux dispositifs (comme l’exposition) qu’aux représentations (en particulier des sciences). Comment observer les sciences humaines dans le champ artistique, alors que leur réception, leurs réappropriations, ne sont pas visibles de manière immédiate ? Comment rendre compte d’un usage collectif de ces savoirs et, donc, les situer dans des règles et normes partagées par les acteurs de l’art contemporain ? Comment repérer et analyser les manières différenciées d’y recourir dans ce cadre commun ? Par l’observation et l’examen détaillé des centres d’art et des expositions d’art contemporain, Les sciences humaines dans le centre d’art vise à éclairer la circulation sociale des savoirs et les manières de l’étudier.
Contemporary Europe Art Guide
Text by Mark Gordon.
The Museums of Contemporary Art
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new unive...
Les Sources de l'histoire de l'art en France
Le recensement de près de 600 collections avec, pour chacune d'entre elles : son adresse, ses modalités d'accès, les domaines couverts, la date de fondation, l'informatisation, ainsi que les réseaux et les personnes à contacter. « Copyright Electre »
Every Day
11th biennale of Sydney: everyday.
France
This unique combination of art book and travel guide showcases some of France's most exciting cultural sites. Here in one user-friendly handbook are in-depth commentaries on the country's treasure trove of contemporary museums, galleries and vanguard buildings. 80 illustrations, 20 maps.
Derek Jarman’s Visionary Arts
Derek Jarman's place in the history of film is assured by virtue of his vibrant, defiant films that experiment with the very process of film-making and create new forms. His paintings, their excitements and their profundity, are less well known. Michael Charlesworth sheds light on the varied ramifications of Jarman's artistic practice from his years at Prospect Cottage, Dungeness, and provides the first book-length study of his interest in depth psychology. He draws on Jarman's paintings, especially his landscapes from the 1960s and 70s, his multiple series such as 'black' and 'broken glass', GBH, Queer and Evil Queen, and his last Ecstatic Landscapes (1991-3). He also showcases Jarman's exc...
