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Mindanao
The story takes place in the United States and the Mindanao Region in the Philippines where the Japanese were occupiers during WWII and used the region to bury diamonds, gems and gold that they looted and pillaged as invaders to finance their war efforts. It was the United States military who patrolled the Pacific Ocean preventing the Japanese ships from reaching Japan forcing them to find alternative ways to harbor their spoils. Seven United States Army elite specialists including, Jonathan Watkins Sr. recovered the booty the Japanese had buried. The men became the center of an intense search by Islamic separatists and other scavengers, a term used to identify treasure-hunters, to find the ...
A Curse, My Blessing
This autobiography recounts a twenty-year quest to experience an authentic faith in God. It wrestles conventional spirituality in ways previously unimagined, beginning with the biblical account of Jesus cursing a fig tree and the power this obscure image held in the author's mind. The quest spans college years at America's top evangelical college, his rejection of Christianity, a flight to Kodiak, hallucinogenic drugs, and a crazy motorcycle trip back to Alaska during the winter. There he meets a seventeen year old hippie girl reading Zelda Fitzgerald and they wonder together if they can fall in love like Zelda and Scott and beat madness. After an unlikely two-year courtship, they marry, and become Baptist Christians. They then return to "the lower 48," jumping full force into the Nashville music industry, and experience the break-up of a twelve-year marriage as all goes bust -- and finally, a revisiting from the curse of the fig tree story with fresh meaning and a hidden revelation.
The Granite Monthly
Contains articles on the White Mountains and a map.
Heads of Families at the First Census of the United States Taken in the Year 1790
This schedule represents a complete list of the heads of families in the United States at the time of the adoption of the Constitution. Under law, the marshals were required to ascertain the number of inhabitants within their respective districts, omitting Indians not taxed, and distinguishing free persons (including those bound to service for a term of years) from all others; the sex and color of free persons; and the number of free males 16 years of age and over. The object of the inquiry last mentioned was, undoubtedly, to obtain definite knowledge as to the military and industrial strength of the country.
In the Eye of All Trade
In an exploration of the oceanic connections of the Atlantic world, Michael J. Jarvis recovers a mariner's view of early America as seen through the eyes of Bermuda's seafarers. The first social history of eighteenth-century Bermuda, this book profiles how one especially intensive maritime community capitalized on its position "in the eye of all trade." Jarvis takes readers aboard small Bermudian sloops and follows white and enslaved sailors as they shuttled cargoes between ports, raked salt, harvested timber, salvaged shipwrecks, hunted whales, captured prizes, and smuggled contraband in an expansive maritime sphere spanning Great Britain's North American and Caribbean colonies. In doing so...
Class Matters
As a category of historical analysis, class is dead—or so it has been reported over the past two decades. The contributors to Class Matters contest this demise. Although differing in their approaches, they all agree that socioeconomic inequality remains indispensable to a true understanding of the transition from the early modern to modern era in North America and the rest of the Atlantic world. As a whole, they chart the emergence of class as a concept and its subsequent loss of analytic purchase in Anglo-American historiography. The opening section considers the dynamics of class relations in the Atlantic world across the seventeenth and eighteenth centuries—from Iroquoian and Algonqui...
Zhang Peili
In 2014, New York-based artist Lois Conner gifted one of pioneering Chinese artist Zhang Peili’s last paintings to The Australian National University’s newly opened Australian Centre on China in the World. Never exhibited and thought lost, the reemergence of Flying Machine (1994) prompts an exploration of the relation between painting and video in the oeuvre of Zhang Peili. Given Zhang’s significance as a leading conceptual painter in the 1980s, then as a media art pioneer and educator in the 1990s and 2000s, Zhang Peili: From Painting to Video is also a nuanced study of broader developments in Chinese contemporary art’s history. Featuring contributions by historian Geremie R. Barmé...
