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Making Sense Of The Three Kingdoms
The Three Kingdoms is a tumultuous period in Chinese history when warlords battled one another to rule all under the heavens. Many Chinese fables and legends were made during this time, revealing the complex, multi-dimensional characteristics of the Chinese race. There are as many modern versions of the Three Kingdoms as there are ancient texts. However, those which are easy to read or watch on screen are often lacking in depth and detail. Others are meaningful but fiendishly difficult to read. Much more than just a translation, this book is written in modern English, balancing depth with easy reading. For those new to the Three Kingdoms, it offers an introduction with just the right dose of detail. For those already familiar with the Three Kingdoms, it may offer a deeper understanding or sense of realism on this epic saga.
Asian Mind Game
Analysis of how Chinese thought and culture have affected Japan, Korea, and Taiwan, and how Japanese conquest and culture have had their effect on the rest of Asia.
Localizing Learning
As the first intellectual history of Song, Yuan, and Ming China written from a local perspective, Localizing Learning shows how literati learning in Wuzhou came to encompass examination studies, Neo-Confucian moral philosophy, historical and Classical scholarship, encyclopedic learnedness, and literary writing, and traces how debates over the relative value of moral cultivation, cultural accomplishment, and political service unfolded locally. The book is set in one locality, Wuzhou (later Jinhua), a prefecture in China’s Zhejiang province, from the twelfth through the sixteenth century. Its main actors are literati of the Song, Yuan, and Ming, who created a local tradition of learning as a...
The Emperor’s Four Treasuries
The compilation of the Complete Library of the Four Treasuries (Ssu-k'u ch' an-shu) was one of the most ambitious intellectual projects of the Ch'ing dynasty. Initiated by imperial command in 1772, the project sought to evaluate, edit, and reproduce the finest Chinese writings in the four traditional categories: Confucian classics, histories, philosophy, and belles lettres. The final products, created over a twenty-two year period, were an annotated catalog of some ten thousand titles and seven new manuscript libraries of nearly thirty-six hundred titles. The project had its darker side as well, for together with the evaluation of books there developed a campaign of censorship and proscripti...
