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The Queen of Sicily and Gothic Stained Glass in Mussy and Tonnerre
Following the death of St. Louis, a new court fashion of ostentatious display was introduced into French stained glass with the advent of Queen Marie de Brabant, who in 1274 became the second wife of St. Louis's heir Philippe le hardi. Little stained glass in this new style survives, since the very motifs that made it different -- large donor 'portraits, ' elaborate heraldry, lavish name-inscriptions -- were targets of vandalism. This study reconstructs two ensembles in the new style, at Mussy-sur-Seine in southern Champagne & at the medieval hospital of Tonnerre in Burgundy. Both can be connected with the extraordinary figure of Marguerite de Bourgogne. Titled the Queen of Sicily, she was a revered agent of Christian charity of the Gothic era. 50+ illustrations.
Women's Monasticism and Medieval Society
In this engaging work, Bruce L. Venarde uncovers a largely unknown story of women's religious lives and puts female monasticism back in the mainstream of medieval ecclesiastical history. To chart the expansion of nunneries in France and England during the central Middle Ages, he presents statistics and narratives to describe growth in broad historical contexts, with special attention to social and economic change. Venarde explains that in the years 1000–1300 the number of nunneries within Europe grew tenfold. In the eleventh and twelfth centuries, religious institutions for women developed in a variety of ways, mostly outside the self-conscious reform movements that have been the tradition...
Officiers seigneuriaux et anciennes familles de Franche-Comté (2). Seigneuries de Châtelneuf-en-Vennes, Clerval, Lièvremont, Montbenoît, Morteau, Neufchâtel, Réaumont et Vennes
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Charles Francois Gounod
Charles François Gounod: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him and his compositions.
