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Begins directly with the characteristics of nihilistic thought and the contrast between nihilism and humanism, and then proceeds to give an account of the religious battles against this negative and deathfearing philosophy. Also discusses Kafka, Camus, Sartre, Ionesco, Beckett and others.
Previously unidentified newspaper articles, written under a pseudonym, and hitherto unpublished manuscript material that throws new light on Whitman's career in the war.
Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
To one who has just begun to make his acquaintance with the literature of general semantics, Mother Gorman's book will prove an invaluable guide. From her first chapter giving a historical sketch of the main ideas to her final chapter surveying the ways in which they have influenced education in America, the book is a mine of useful information. Mother Gorman is not a general semanticist. Her reservations about what she regards as the profound philosophical errors of general semantics naturally keep her from aligning herself with this school of thought. But she is an unusually interested bystander and a diligent scholar. Hence she has made an extremely thorough search of the literature, with the result that in many ways she knows a lot more about general semantics than many who call themselves semanticists.--S. I. Hayakawa
The first full account of Whitman's Civil War years sheds new light on the man, his poetry, and the treatment of the war's sick and wounded.
This is the only collection ever made of Bryant's letters, two-thirds of which have never before been printed. Their publication was foreseen by the late Allan Nevin as "one of the most important and stimulating enterprises contributory to the enrichment of the nation's cultural and political life that is now within range of individual and group effort. William Cullen Bryant (1794–1878) was America's earliest national poet. His immediate followers—Longfellow, Poe, and Whitman—unquestionably began their distinguished careers in imitation of his verses. But Bryant was even more influential in his long career as a political journalist, and in his encouragement of American art, from his le...