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Colom of Catalonia
Long overdue in the eyes of many scholars, this comprehensive examination into the life of Christopher Columbus rehearses the many alternative theories of Columbus’s origins and the objections each has to the Italian theory of his birth. School children around the world are taught that Christopher Columbus was Italian, or, more precisely, a Genoese who sailed to the New World for the Spanish only because that country’s sovereigns gave him the money for the project; many scholars throughout history, however, have cast doubt onto this version of the explorer’s story. After digging up these counter-cultural theories and discussing their individual merits and prejudices, this scholarly investigation selects the theory most likely to be true: Christopher Columbus was a Catalan, born in the principality of Catalonia, a member of a family hostile to the dynasty that ruled his newly united country.
Wall Street to Main Street
A 1999 biography of Charles Merrill, the founder of the world's largest brokerage and investment firm.
The Old Guide's Story of the Northern Adirondacks
Reminiscences of Old Guide--Famed thru North Country In 1930 the Editor of the Malone Evening Telegram (Malone, New York) wrote: At rare intervals there comes to a newspaper office opportunity to print a manuscript of unusual interest and appeal. Such a one is the reminiscences of Charles E. Merrill, for 30 years an Adirondack guide, a member of one of the oldest and best know families of the North Country. Under the title The Old Guide's Story, the Telegram will print Mr. Merrill's book. Trained in the great outdoors rather than in the schools, Guide Merrill nevertheless has the born gift of writing. But more important than this, is that he has a real story to tell--the great epic of the st...
House Documents
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Teaching Beauty in DeLillo, Woolf, and Merrill
What happened to beauty? How did the university literature classroom turn into a seminar on politics? Focusing on such writers as Don DeLillo, Virginia Woolf, and James Merrill, this book examines what has been lost to literature as a discipline, and to literary criticism as a practice, as a result of efforts to reduce the aesthetic to the ideological. Green-Lewis and Soltan celebrate the return of beauty as a subject in its own right to literary studies, a return all the more urgent given beauty s ability to provide not merely consolation but a sense of order and control in the context of a threatening political world.
Annual Report
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