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The Lady of Angels and Her City
The Lady of the Angels and Her City recounts Wendy Wright's visitations to her hometown's many Marian churches and shrines. But it is much more than a personal pilgrimage narrative. It offers important glimpses into the history of Los Angeles Catholicism, American Catholic culture, and Mary's place in Catholic theology and tradition. It peeks into the heroic labors of the religious orders that went on mission there and the waves of immigrants who have arrived on American shores. With Wright, readers will consider: Readers who know the geography of Los Angeles Catholicism will surely enjoy Wright's reflection on familiar places. But there is much here that will fascinate anyone interested in either the history of Christianity in America or devotion to Mary by those who love her today.
Theater of a Thousand Wonders
The first comprehensive historical study of the images and shrines of New Spain, rich in stories and patterns of change over time.
A New Deal for Native Art
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and ...
ReVisioning
ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.
False Mystics
False Mystics provides a history of popular religion, race, and gender in colonial Mexico focusing on questions of spiritual and social rebellion and conformity. Nora E. Jaffary examines more than one hundred trials of ?false mystics? whom the Mexican Inquisition prosecuted in the seventeenth and eighteenth centuries. While the accused experienced many of the same phenomena as bona fide mystics?visions, sacred illness, and bouts of demonic possession?the Mexican tribunal condemned them nevertheless. False Mystics examines why the Catholic church viewed the accused as deviants and argues that this categorization was due in part to unconventional aspects of their spirituality and in part to co...
Sacred Art
Sacred art flourishes today in northeastern Brazil, where European and African religious traditions have intersected for centuries. Professional artists create images of both the Catholic saints and the African gods of Candomblé to meet the needs of a vast market of believers and art collectors. Over the past decade, Henry Glassie and Pravina Shukla conducted intense research in the states of Bahia and Pernambuco, interviewing the artists at length, photographing their processes and products, attending Catholic and Candomblé services, and finally creating a comprehensive book, governed by a deep understanding of the artists themselves. Beginning with Edival Rosas, who carves monumental baroque statues for churches, and ending with Francisco Santos, who paints images of the gods for Candomblé terreiros, the book displays the diversity of Brazilian artistic techniques and religious interpretations. Glassie and Shukla enhance their findings with comparisons from art and religion in the United States, Nigeria, Portugal, Turkey, India, Bangladesh, and Japan and gesture toward an encompassing theology of power and beauty that brings unity into the spiritual art of the world.
Victory on Earth or in Heaven
This work reconstructs the history of Mexico’s forgotten “Religionero” rebellion of 1873–1877, an armed Catholic challenge to the government of Sebastián Lerdo de Tejada. An essentially grassroots movement—organized by indigenous, Afro-Mexican, and mestizo parishioners in Mexico’s central-western Catholic heartland—the Religionero rebellion erupted in response to a series of anticlerical measures raised to constitutional status by the Lerdo government. These “Laws of Reform” decreed the full independence of Church and state, secularized marriage and burial practices, prohibited acts of public worship, and severely curtailed the Church’s ability to own and administer property. A comprehensive reconstruction of the revolt and a critical reappraisal of its significance, this book places ordinary Catholics at the center of the story of Mexico’s fragmented nineteenth-century secularization and Catholic revival.
The Alabados of New Mexico
The sacred hymns of New Mexico compiled by the expert on church literature in a handsome bilingual volume.
Folk Art
Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.
The Pathos of the Cross
This volume traces how theologies and the arts of the Baroque period stressed the "pathos" of Christ's death on the cross as the means of salvation, and invited believers to an emotional response that binds them to Christ's saving act.
