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Modernism and Authority
Modernism and Authority presents a provocative new take on the early paintings of Pablo Picasso and the writings of Guillaume Apollinaire. Charles Palermo argues that references to theology and traditional Christian iconography in the works of Picasso and Apollinaire are not mere symbolic gestures; rather, they are complex responses to the symbolist art and poetry of figures important to them, including Paul Gauguin, Charles Morice, and Santiago Rusi–ol. The young Picasso and his contemporaries experienced the challenges of modernity as an attempt to reflect on the lost relation to authority. For the symbolists, art held authority by revealing something compellingÑsomething to which audie...
Please Touch
Exploring the notion of tactility in dada and surrealism
Picasso and Braque
Published on the occasion of an exhibition held at the Kimbell Art Museum, Fort Worth, Tex., May 29-Aug. 21, 2011 and the Santa Barbara Museum of Art, Santa Barbara, Calif., Sept. 17, 2011-Jan. 8, 2012.
The Beauty of a Social Problem
Bertolt Brecht once worried that how we feel about the victims of a social problem can get in the way of the beauty and attraction of the problem itself. In this book, Walter Benn Michaels explores the same dilemma through a study of several contemporary artist-photographers whose work speaks to questions of political economy. Michaels focuses on the work of several artists, mostly born in the 1970s and thus raised in a world where artistic ambition has been identified with a critique of autonomous form and of meaning as a function of intention. Michaels shows that these artists engage but also push beyond this critique of autonomy and intentionality, producing works that embody a new commit...
Nothing but the Clouds Unchanged
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
The Doctor Factory
At What Cost an M.D.? "Offshore Medical School".the phrase conjures up visions of scantily-clad students propped up against palm trees, casting glances at Grey's Anatomy, while keeping one eye firmly on the talent on the beach. It evokes images of predatory professors who are living out the remainder of their days on a tropical island because they are hiding from their past, or simply cannot hack-it in real life, in one of the large, cold countries. We all know, of course, that this is only prejudice and myth. But, is it? Caribbean medical schools are now a huge source of physicians for the USA: the quality of the education which these students receive affects us all. But the quality of the education stems from the nature of the professors and what a cast of characters they are! Idealists rub shoulders with cynics; teachers of ethics with hypocrites and lechers. Sometimes the ethicist is the hypocrite and lecher and things become confused. This book is a fictional account of life at one such medical school, written in the form of a professor's memoir. It is set against the backdrop of a small Caribbean island: freedom and spice are in the air.
Mediating Modernity
"An interdisciplinary examination of the responses of literary authors in Germany, from 1895-1930, to the emerging media of image and sound recording"--Provided by publisher.
Portrait of an Island
The once-famous trading center of Gorée, Sénégal, today lies in the busy harbor of the modern city of Dakar. From its beginnings as a modest outpost, Gorée became one of the intersections linking African trading routes to the European Atlantic trade. Then as now, people of many nationalities poured into the island: Dutch, English, French, Portuguese, Tukulor, and Wolof. Trading parties brought with them gold, firewood, mirrors, books, and more. They built houses of various forms, using American lumber, French roof tiles, freshly cut straw, and pulverized seashells, and furnished them in a fashion as cosmopolitan as the city itself. A work of architectural history, Portrait of an Island e...
Bauhaus Construct
Reconsidering the status and meaning of Bauhaus objects in relation to the multiple re-tellings of the school’s history, this volume positions art objects of the Bauhaus within the theoretical, artistic, historical, and cultural concerns in which they were produced and received. Contributions from leading scholars writing in the field today – including Frederic J. Schwartz, Magdalena Droste, and Alina Payne – offer an entirely new treatment of the Bauhaus. Issues such as art and design pedagogy, the practice of photography, copyright law, and critical theory are discussed. Through a strong thematic structure, new archival research and innovative methodologies, the questions and subsequent conclusions presented here re-examine the history of the Bauhaus and its continuing legacy. Essential reading for anyone studying the Bauhaus, modern art and design.
