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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances B...
This edition includes new material on the Arabic novel up to 1993. It is a survey of the Arabic novel and its development from its beginnings in the 19th century until today. It traces the origin, early cultivation and the mature period after World War II of the Arabic novel.
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This definitive work on the introduction of domestic animals to Australia begins with the first white settlement at Botany Bay. It explores the foundations of our wool and beef industries, examining the role of early leaders like Phillip, King, Macarthur and Bligh.The book considers the successful introduction of the horse, Australia's first live animal export, and goes on to explore the role of the acclimatisation societies, the development of the veterinary profession and the control and eradication of some of the major exotic and introduced diseases of sheep and cattle. The author, Dr Ian Parsonson, retired as Assistant Chief of the Australian Animal Health Laboratory at Geelong, Victoria, after a long career in veterinary practice and research. His areas of expertise include bacterial and viral diseases, pathology and microbiological laboratory safety. He is a committee member of the International Embryo Transfer Society and the Animal Gene Storage and Resource Centre of Australia.
Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en vaudevilles, that were a feature of the theatres held at the seasonal Parisian fairs of St Germain and St Laurent, and of the Comédie-Italienne. The similarity of the entertainments provided by the C...
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