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Already Dead
They live among us, slaves to the very condition that empowers them. They are the Vampyre, and their sole chance at survival lies in banding into Clans. Only Joe Pitt has gone his own way. The upside is freedom. The downside is there's nobody on his side when trouble comes around. Joe gets rough receptions from all the countless Clans shifting about on the island of Manhattan, but his current trouble is with the Coalition - the Clan that controls the city river to river, from 14th Street to 110th Street. To make things right, Joe takes on his most perilous case: The daughter of a prominent New York family is missing, and her Vampyre fascination makes Joe the ideal man for this high-stakes job. With his ferocious style, Charlie Huston offers a thrilling new twist to one of our oldest myths.
Caught Stealing
A retired baseball player finds himself fighting for his life in this “fantastically hopped-up thriller [with] a wrong-man plot worthy of Hitchcock” (Entertainment Weekly, Editor’s Choice). “Wow! Brutal, visceral, violent, edgy, and brilliant.”—Harlan Coben In development as a major motion picture starring Austin Butler and directed by Darren Aronofsky Henry “call me Hank” Thompson used to play California baseball. Now he tends to a bar on Manhattan’s Lower East Side. When two Russians in tracksuits beat Hank to a pulp, he gets the clue: someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it. Within twenty-for hours, Hank is running over rooftops, playing hide-and-seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor. All because of some Russian hoods and a flat-out freakshow of goons. All because once, in another life, the only thing Hank wanted to steal was third base—without getting caught.
Skinner
Skinner founded his career in "asset protection" on fear. To touch anyone under his protection was to invite destruction. A savagely effective methodology, until Skinner's CIA handlers began to fear him as much as his enemies did and banished him to the hinterlands of the intelligence community. Now, an ornate and evolving cyber-terrorist attack is about to end that long exile. His asset is Jae, a roboticist with a gift for seeing the underlying systems violently shaping a new era of global guerrilla warfare. At the root of it all is a young boy, the innocent seed of a plot grown in the slums of Mumbai. Brought to flower, that plot will tip the balance of world power in a perilous new direction. A combination of Le Carre spycraft with Stephenson techno-philosophy from the novelist hailed by the Washington Post as "the voice of twenty-first century crime fiction," Skinner is Charlie Huston's masterpiece -- a new kind of thriller for a new kind of world.
The Mystic Arts of Erasing All Signs of Death
With his teaching career derailed by tragedy and his slacker days numbered, Webster Fillmore Goodhue makes an unlikely move and joins Clean Team, charged with tidying up L.A.'s grisly crime scenes. For Web, it's a steady gig, and he soon finds himself sponging a Malibu suicide's brains from a bathroom mirror and flirting with the man's bereaved and beautiful daughter. Then things get weird: The dead man's daughter asks a favor. Every cell in Web's brain tells him to turn her down, but something makes him hit the Harbor Freeway at midnight to help her however he can. Soon enough it's Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What's the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn't have a clue, but he'll need to get one if he's going to keep from getting his face kicked in. Again. And again. And again.
Sleepless
A blisteringly powerful thriller set in a Los Angeles ravaged by a plague of sleeplessness. Parker T. Haas is a straight-arrow LAPD cop whose cast-iron sense of right and wrong has made him a lone wolf on the force. But when a plague of sleeplessness attacks Los Angeles and the world beyond, his philosophical certainties are tested to destruction. Sent undercover to pose as a dealer, Haas is on the trail of a black-market drug that is the one thing providing relief to the sleepless - if you can penetrate the arcane code of its mysterious supplier. But as Haas negotiates the increasingly chaotic and dangerous world of a city slowly going mad, he crosses the path of an equally fanatical a-moralist, a hired killer whose extreme sense of aesthetic perfection admits not the slightest humanity. But as their collision course accelerates (two men: one of the old world; one of the newly emerging), Parker must decide not only where the moral centre is located in this frightening new landscape, but also how he is going to save his wife Rose - herself a victim of the disease - and their newborn baby, whose uncertain future is coming into being before their eyes.
The Shotgun Rule
The first stand-alone thriller by critically acclaimed author Charlie Huston, The Shotgun Rule is a raw tale of four teenage friends who go looking for a little trouble–and find it. Blood spilled on the asphalt of this town long years gone has left a stain, and it’s spreading. Not that a thing like that matters to teenagers like George, Hector, Paul, and Andy. It’s summer 1983 in a northern California suburb, and these working-class kids have been killing time the usual ways: ducking their parents, tinkering with their bikes, and racing around town getting high and boosting their neighbors’ meds. Just another typical summer break in the burbs. Till Andy’s bike is stolen by the town...
No Dominion
New York's favourite rogue detective, Joe Pitt, is about to find himself caught in a nasty power struggle between competing Vampyre clans. Down to his last few bags of blood and behind on rent, Joe takes on a decidedly dirty job: finding the source of a powerful drug that's hit the street, one strong enough to affect Vampyres and make its users do unpredictable things, things that could bring unwelcome exposure to New York's Vampyre community. Unfortunately, that entails crossing the mid-Manhattan turf of the Coalition into the equally fearsome territory of the Hood in Harlem. One thing about Vampyres: they have plenty of time on their bloodstained hands to engage in complex, violent feuds. Worse, Joe might be some powerful player's idea of a sacrificial pawn ...
My Dead Body
As the concluding volume of this highly acclaimed series opens, Joe has spent a year splashing around in the city's sewer system, protecting the perimeters of the ground on which his love, Evie, now lives. Above ground, Manhattan's Vampyre clans have at last abandoned any claims on civility and have finally sprung fully for each others' throats. But as Vampyre civil war rages, Joe is tracked down by an old acquaintance and pulled back to the surface. At last, the many questions that have driven him will be put to rest - and the many friends and foes who have defined his world will either be put in the ground or will claw their way to survival. The carefully maintained peace is forgotten. When the stakes are this high, there can be no neutrality - only winners and losers. But when the blood stops flowing, what side will Joe Pitt be on?
Six Bad Things
Hank Thompson is living off the map in Mexico with a bagful of cash that the Russian mafia wants back and many, many secrets. So when a Russian backpacker shows up in town asking questions, Hank tries to play it cool. But he knows the jig is up when the backpacker mentions the money . . . and the family Hank left behind. Suddenly Hank’s in a desperate race to get to his parents in California before anyone can harm them. Along the way he’ll face Federales and Border Patrol, mafiosi and vigilantes, extortionists and drug dealers, and a couple of psychotic surf bums with an ax to grind. From the golden beaches of the Yucatán to the seedy strip clubs of Vegas, Charlie Huston opens a door to the squalid underworld of crime and corruption–and invites the reader to live it in the extreme.
Moon Knight
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