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Transcending the New Woman
The dawn of the twentieth century saw the birth of the New Woman, a cultural and literary ideal that replaced Victorian expectations of domesticity with visions of social, political, and economic autonomy. Although such writers as Edith Wharton and Kate Chopin treated these ideals in well-known literature of that era, marginalized women also explored changing gender roles in works that deserve more attention today. This book is the first study to focus solely on multiethnic women writers' responses to the ideal of the New Woman in America, opening up a world of literary texts that provide new insight into the phenomenon. Charlotte Rich reveals how these authors uniquely articulated the contr...
What Diantha Did
This edition of What Diantha Did makes newly available Charlotte Perkins Gilman’s first novel, complete with an in-depth introduction. First published serially in Gilman’s magazine The Forerunner in 1909–10, the novel tells the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, restaurant, and hotel. By assigning a cash value to women’s “invisible” work, providing a means for the well-being and moral uplift of working girls, and releasing middle-class and leisure-class women from the bur...
Charlotte Jane Battles Bedtime
From the day Charlotte Jane was born on a pirate ship she has had "formidable oomph," but when she succeeds in conquering sleep by staying up all night, her oomph seems to weigh anchor. Full color.
On the Borders of Love and Power
Embracing the crossroads that made the region distinctive, this book reveals how American families have always been characterized by greater diversity than idealizations of the traditional family have allowed. He essays show how family life figured prominently in relations to larger struggles for conquest and control.
Reclaiming Biblical Heroines
This book examines the iconography of Judith, Esther, and the Shulamite in the last decades of the nineteenth and the first two decades of the twentieth century in the works of the Polish-Jewish artists.
Birddogs and Tough Old Broads
Birddogs and Tough Old Broads: Women Journalists of Mississippi and a Century of State Politics, 1880s-1980s documents the professional experiences and observations of more than a dozen journalists, all women, all covering Mississippi state politics over the course of a century—from the 1880s, right after the end of Reconstruction (when newspapers were the primary source of information) to the 1980s, a time period marked by steady declines in both news revenue and circulation, and the emergence of corporate journalism, led by media conglomerates like Gannett. Pete Smith argues that the experiences of the women journalists reflect broader social, political, legal, and cultural struggles and changes in both the South and the nation during the late nineteenth and twentieth centuries. The evolution of the modern-day political journalist, particularly for southern women who aspired to such a position, can be seen in their struggles and accomplishments.
It's Only a Movie
IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.
Charlotte Perkins Gilman and Her Contemporaries
By placing Charlotte Perkins Gilman in the company of her contemporaries, this collection seeks to correct misunderstandings of the feminist writer and lecturer as an isolated radical. Gilman's highly public and combative stances as a critic and social activist brought her into contact and conflict with many of the major thinkers and writers of the period. Gilman wrote on subjects as wide ranging as birth control, eugenics, race, women's rights and suffrage, psychology, Marxism, and literary aesthetics. Her many contributions to social, intellectual, and literary life at the turn of the 20th century raised the bar for future discourse, but at great personal and professional cost. -- From publisher's description.
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The New Heroines
This book explores how the next generation of teen and young adult heroines in popular culture are creating a new feminist ideal for the 21st century. Representations of a teenage girl who is unique or special occur again and again in coming-of-age stories. It's an irresistible concept: the heroine who seems just like every other, but under the surface, she has the potential to change the world. This book examines the cultural significance of teen and young adult female characters—the New Heroines—in popular culture. The book addresses a wide range of examples primarily from the past two decades, with several chapters focusing on a specific heroic figure in popular culture. In addition, the author offers a comparative analysis between the "New Woman" figure from the late 19th and early 20th century and the New Heroine in the 21st century. Readers will understand how representations of teenage girls in fiction and nonfiction are positioned as heroic because of their ability to find out about themselves by connecting with other people, their environment, and technology.
