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Reader's Guide to Literature in English
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Popular Arthurian Traditions
Scholars of popular culture turn their attention to various expressions of the Arthurian legend, most from the 20th century, with a more balanced consideration of women (writers, characters, and critics) than has traditionally been the case. Among the topics are the image of Morgan Le Fay, postmodern Arthur, Mark Twain, Joseph Campbell, and several recent movies. No index. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
The Imagination in Early Modern English Literature
In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity.
The New Utopian Politics of Ursula K. Le Guin's The Dispossessed
Description of the seductions - and snares - of self-managed communist or, in other words, anarchist society. This title, an edited collection of original essays on "Le Guin's The Dispossessed", represents an exploration of the political ramifications of this work by a wide interdisciplinary swath of scholars from around the world.
Cauldron of Changes
The spiritual dimensions in the fantastic works of both firmly established and newer writers--including such talents as Marion Zimmer Bradley, Alice Walker, Patricia Kennealy, Octavia Butler, Toni Morrison and Ntozake Shange--are examined in this book. The author links their fantastic novels to actual currents within the feminist spirituality movement, addressing the genre's use of goddess worship, psychic phenomena, and reverence for the earth. Special emphasis is given to both the struggle to provide an alternative to men-centered experience and to the need to articulate ways in which feminists can achieve personal and social power.
From Chaucer's Pardoner to Shakespeare's Iago
In The Western Canon: The Books and School of the Ages the American critic Harold Bloom claims that Shakespeare drew on Chaucer's Pardoner when creating the villain Iago for his Othello. This book turns Bloom's observation of influences within the canon of Western literature into a more complex intermedial analysis of dramatic and literary traditions at the waning of the Middle Ages and the dawn of the Renaissance. The discussion of verbal and non-verbal codes in Chaucer's presentation of the Pardoner and Shakespeare's depiction of Iago sheds light on the various strands of the Vice's development, and shows that Chaucer's pilgrim, who descends obliquely from the stage Vices, stands at the very beginning of the Vice tradition, while Iago is a late development of him, who adapts his role to new dramatic challenges.
Farce and Farcical Elements
Farcical elements were incorporated into non-comic drama ever since the theatre had been rediscovered in the Middle Ages. Already at a very early stage, comic scenes proved to be popular additions to liturgical music drama and, later, to religious plays in the vernacular. Some scholars believe that the genre of farce developed out of these farcical elements. The suggestion was made that farces, similar to the stuffing of meat or poultry, had been added to plays to increase audience involvement. Other researchers see quite different origins for the farce. The present volume does not aspire to solve the question of the relationship between the two types of “comedy” on the medieval stages but its editors hope that it will nevertheless contribute to this discussion. In addition, it will enable its readers to form an impression of the huge variety of the comic in the vast area of medieval and early Renaissance theatre and drama.
The Search for a Woman-centered Spirituality
Examining the work and writings of such figures as Leslie Marmon Silko, Paula Gunn Allen, Audre Lorde, Alice Walker, Starhawk, Marion Zimmer Bradley, Sonial Johnson and Mary Daly, the author illustrates how these writers and activists outline a journey toward wholeness.
Women Beware Women
A comprehensive introduction to Thomas Middleton's Women Beware Women - introducing its critical history, performance history, the current critical landscape and new directions in research.
Dental Anthropology
Teeth are among the best sources of evidence for both identification purposes and studies of demography, biological relationships, and health in ancient human communities. The anthropologist's specimen may be a cast that a dentist has taken from a living mouth, or actual teeth from an archaeological site or forensic case. This text introduces the complex biology of teeth and provides a practical guide to all essential aspects of dental anthropology, including excavation, identification, microscopic study, and tooth age determination. Dental Anthropology is a concise yet comprehensive resource designed for students and researchers in anthropology and archaeology.
