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Arthurian Women
Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.
Women who Fly
"Examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. ... Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories."--Jacket flap.
The Grail
"This volume of the "Arthurian Characters and Themes" series is the only one dealing with theme, rather than character. Essays include both newly commissioned and reprinted articles that explore a variety of issues regarding the Arthurian search for the Holy Grail. Topics include analysis of the Grail as vessel, Perceval's sister in the Grail quest, the symbolism of the Grail in Wolfram, chivalric nationalism, and investigations of the use of the Grail in poetry and literature by authors such as Tennyson, T.S. Eliot, and Walker Percy"--Barnes & Noble.
Which Face of Witch
For centuries, the figure of the witch represented the hostile and feared “other” on the edge of human society, placed “in between” the world of people and the world of demons. Whether she stood for the untamed powers of nature, dark powers of knowledge or magic, or evil powers derived from the devil, she was always identified with fear as a disturbance, as a danger to the order of society and to the well-being of those who understood themselves as settled within the borders of the patriarchal order and its psychological and sexual corselet. In this role, the witch appeared in numerous literary works, including, among others, writings by Chaucer, Shakespeare and Middleton. However, s...
The Middle Ages on Television
The 21st century has seen a resurgence of popular interest in the Middle Ages. Television in particular has presented a wide and diverse array of "medieval" offerings. Yet there exists little scholarship on television medievalism. This collection fills the gap with 10 new essays focusing on the depiction of the Middle Ages in popular culture and questioning the role of television in shaping our ideas about past and present. The contributors emphasize the need for scholars of medievalism to pay attention to its manifestations on the small screen. The essays cover quite a range of topics, including genre, gender and sexuality. The series covered are Game of Thrones, Merlin, Full Metal Jousting, Joan of Arcadia, Tudors, Camelot and Mists of Avalon. Instructors considering this book for use in a course may request an examination copy here.
King Arthur in America
King Arthur in America analyzes the tremendous appeal of the Arthurian legends in America by examining the ways that Americans have found to democratize the Matter of Britain and to incorporate aspects of it not only into America's own mythologies but also into literature, film, social history, and popular culture.
Medievalism in England II
Twelve essays discuss how the middle ages are reflected in English culture from the sixteenth century to the present day.
King Arthur's Modern Return
The Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, be realized. This collection of original essays explores the issue of return in the modern Arthurian legend. With an Introduction by noted scholar Raymond H. Thompson and 13 essays by authors from the fields of literature, art history, film history, and folklore, this collection reveals the flexibility of the legend. Just as the modern legend takes the form current to its generation, the myth of return generates a new legend with each telling. As these authors show, return can come in the form of a noble king or a Caribbean immigrant, with the mystery of an art theft or a dying boy's dream.
Gawain
Gawain: A Casebook is a collection of 12-15 classic and original essays on the hero of Arthurian legend that investigates the figure of Gawain as he appears in major medieval traditions, as well as modern literature and film. As with other volumes in the Arthurian Characters and Themes series, this casebook includes an extended introduction examining the character's evolution from the earliest tales to his most recent appearances in popular culture, as well as an extensive annotated bibliography. Students, scholars, and anyone interested in medieval legend will find a wealth of insight into the mystery of this most poignant and perplexing of Arthurian heroes.
A Companion to Romance
Romance is a varied and fluid literary genre, notoriously difficult to define. This groundbreaking Companion surveys the many permutations of romance throughout the ages. Considers the literary and historical development of the romance genre from its classical origins to the present day Incorporates discussion of the changing readership of romance and of romance’s special relation to women readers Comprises 30 essays written by leading authorities on different periods and sub-genres Challenges the idea that the appeal of romance is exclusively escapist Draws on a wide range of specific and influential literary examples
