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Fascinatingly Disturbing
Michael Haneke is one of Europe's most successful and controversial film directors. Awarded the Palme d'Or and numerous other international awards, Haneke has contributed to and shaped contemporary auteur cinema and is becoming more and more popular among academics and cinephiles. His mission is as noble as it is provocative: he wants "to rape the audience into independence," to wake them up from the lethargy caused by the entertainment industry. The filmic language he employs in this mission is both highly characteristic and efficient, and yet his methods are open to criticism for their violence toward and manipulation of the audience. The aim of this book is to analyze critically Haneke's aesthetics, his message, as well as his ethical motivation from an interdisciplinary and intercultural perspective. Contributors to the book come from a variety of academic disciplines and cultural backgrounds-European and North American.
A Companion to Michael Haneke
A Companion to Michael Haneke With a new preface addressing the Academy award-winning film, Amour, this new-in-paper edition has established itself as the definitive collection on Michael Haneke—from his early work in television and theater, through his prodigious cinematic output, to his 2009 triumph at Cannes. A Companion to Michael Haneke brings together essays by leading film scholars, as well as interviews with the director himself, to probe the provocative and controversial themes that have formed the nucleus of Haneke’s work—intergenerational dysfunction and social alienation, colonialism and citizenship, surveillance and pornography, mass culture and media violence. The volume also offers a critical examination of the auteur’s oeuvre, including Three Paths to the Lake, Lemmings, Benny’s Video, The Piano Teacher, Caché, Funny Games, and the 2009 Palme d’Or winner, The White Ribbon.
The Cinema of Michael Haneke
Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke's cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke's films. It examines the director's central themes and preoccupations—bourgeois alienation, modes and critiques of spectatorship, the role of the media—and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games.
Immersion and Distance.
Readers who appear to be lost in a storyworld, members of theatre or cinema audiences who are moved to tears while watching a performance, beholders of paintings who are absorbed by the representations in front of them, players of computer games entranced by the fictional worlds in which they interactively participate – all of these mental states of imaginative immersion are variants of ‘aesthetic illusion’, as long as the recipients, although thus immersed, are still residually aware that they are experiencing not real life but life-like representations created by artefacts. Aesthetic illusion is one of the most forceful effects of reception processes in representational media and thu...
Crossing Borders
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Reconfigurations
From "Once Upon a Time in the West" to "Moulin Rouge", from Ghanaian video-movies to Japanese Manga, from Christian symbolism in advertising to the mythic significance of female messiah figures, from the relationship of the arts and theology to the role of the audience in the meaningmaking process, this book provides a feast for anyone wanting to explore the interconnectivity of religion, media and society.
Uncertain Destinies and Destinations
Media-produced images of people on the move and religion influence our conceptions of migration. These images have varied content and intent. Some provide awareness of the frequently disturbing situation of people who have lost everything, who have had to leave their homes and families and are desperately searching for new possibilities. Others exploit the traumatic topic and the fate of its subjects to entertain their audience with sensational news, which may include images of vast streams of people making their way to a safe haven in new countries. The mediatization of the phenomenon of flight introduces new pictures and perceptions into current debates about migration. It also requires that we interrogate how we view and engage such images and audiovisual documents. Ethical debates about responsibilities combine with questions about the role of religion and its functions. The present volume approaches the subject of migration and religion from an interdisciplinary perspective with a focus on audiovisual representation. The contributions consider feature films, documentaries, television reports, short films, and press photos.
Diakonia Studies
In this collection of papers John N. Collins closes his account on 40 years of involvement in linguistic research and argumentation concerning the nature and functioning of Christian ministry (diakonia). Using original philosophical and lexicographical research, Diakonia Studies offers an engaging conclusion to Collins's groundbreaking 1990 book Diakonia.
Girardians
This book documents the story of the Colloquium on Violence & Religion (COV&R), founded at Stanford University in 1990. COV&R brings together international scholars and educators in various fields who are dedicated to the exploration, criticism, and development of Rene Girard's mimetic model of the relationship between violence and religion in the genesis and maintenance of culture. Girard's work has generated a diversity of interdisciplinary research programs. The book recounts the history of COV&R's meetings and the research of its members and friends that have had a special role in the adventure of ideas flowing from Girard's mimetic theory. (Series: Beitrage zur mimetischen Theorie. Religion - Gewalt - Kommunikation - Weltordnung - Vol. 32)
Literatur inter- und transmedial / Inter- and Transmedial Literature
Literatur oder, allgemeiner, Texte sind nicht erst seit dem 20. Jahrhundert inter- und transmedial ausgerichtet. Dennoch ist es sinnvoll, von einer medial reflexiven Literatur erst seit dem audiovisuellen Jahrhundert zu sprechen, dem des Films. Medientransformationen sind seitdem nicht allein paradigmatische Wechsel der Systeme, sondern auch Vervielfältigungen durch die Pluralität der medialen Träger. Neben allgemeineren Fragestellungen und theoretischen Bestimmungen steht das Wechselverhältnis von Text, Bild und Musik im Zentrum detaillierter Untersuchungen. Der intermedialen Performanz ist ein weiterer Teil des Bandes gewidmet, der schließlich die Brücke zu Film und Fernsehen schläg...
