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A remarkable portrait of a web of artistic connections, traced outward from Jay DeFeo's uniquely generative work of art Through deep archival research and nuanced analysis, Elizabeth Ferrell examines the creative exchange that developed with and around The Rose, a monumental painting on which the San Francisco artist Jay DeFeo (1929-1989) worked almost exclusively from 1958 to 1966. From its early state to its dramatic removal from DeFeo's studio, the painting was a locus of activity among Fillmore District artists. Wallace Berman, Bruce Conner, Wally Hedrick, and Michael McClure each took up The Rose in their photographs, films, paintings, and poetry, which DeFeo then built upon in turn. The resulting works established a dialogue between artists rather than seamless cooperation. Illustrated with archival photographs and personal correspondence, in addition to the artworks, Ferrell's book traces how The Rose became a stage for experimentation with authorship and community, defying traditional definitions of collaboration and creating alternatives to Cold War America's political and artistic binaries.
This title describes recent discoveries and insights into the various expressions of Jewish mysticism from antiquity to the modern day. From mystical outpourings in ancient Palestine to the Kabbalah Centre, this volume explores the various expressions of Jewish mysticism from antiquity to the present day.
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
Boaz Huss argues that Jewish mysticism is a modern construct and that the identification of Kabbalah and Hasidism as forms of mysticism has problematically shaped the way in which they are perceived and studied today.
Rethinking the Christian faith from a woman's perspective has been an important advancement in modern theology. This book introduces the methods, ideas, and contributions of recent feminist theology to readers encountering the subject for the first time. Natalie Watson explores the historical background of feminist theology, discusses the value of reading Scripture from a feminist perspective, and shows how this approach can offer a critical, creative, and constructive rereading of the Christian tradition. She also sets forth some fresh ideas encouraging people to see feminism not as a threat to the church but as a challenging perspective that actually enhances its life in today's world. An extensive annotated bibliography invites readers to further study, presenting a wealth of books on feminist theology by many well-known authors. Ideal for classroom instruction, discussion groups, and personal study, this volume is an exceptional, user-friendly guide to contemporary feminist thought.
This book tells the story of the mystical Jewish system known as Kabbalah, from its earliest origins until the present day. We trace Kabbalah's development, from the second century visionaries who visited the divine realms and brought back tales of their glories and splendours, through the unexpected arrival of a book in Spain that appeared to have lain unconcealed for over a thousand years, and on to the mystical city of Safed where souls could be read and the history of heaven was an open book. Kabbalah's Christian counterpart, Cabala, emerged during the Renaissance, becoming allied to magic, alchemy and the occult sciences. A Kabbalistic heresy tore apart seventeenth century Jewish commun...
Rothenberg says: Look, hear, weigh, touch, feel, consider, this is where humans have been, this is the signandflesh and signature and shadow of our ancestry and lineage, our past, present and future, this is the trail, the human trail, this is where there is nothing to hide, nothing to fear, only sharing, infinite sharing.
A revised and expanded edition of the music icon's definitive biography incorporates newly discovered personal writings, additional details on Hendrix's romantic relationships, and additional research into his creative life.
The Companion to Jewish Culture - From the Eighteenth Century to the Present was first published in 1989. It is a single-volume encyclopedia containing biographical and topic entries ranging from 200 to 1000 word each.
A COMPANION TO POETIC GENRE A COMPANION TO POETIC GENRE This eagerly awaited Companion features over 40 contributions from leading academics around the world, and offers critical overviews of numerous poetic genres. Covering a range of cultural traditions from Britain, Ireland, North America, Japan and the Caribbean, among others, this valuable collection considers ancient genres such as the elegy, the ode, the ghazal, and the ballad, before moving on to Medieval and Renaissance genres originally invented or codified by the Troubadours or poets who followed in their wake. The book also approaches genres driven by theme, such as the calypso and found poetry. Each chapter begins by defining the genre in its initial stages, charting historical developments and finally assessing its latest mutations, be they structural, thematic, parodic, assimilative, or subversive.