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Susan Glaspell in Context
DIVThe first in-depth examination of the theatrical achievements of this acclaimed playwright /div
Susan Glaspell
The first book-length critical assessment of American playwright and fiction writer Susan Glaspell
Edinburgh Companion to Shakespeare and the Arts
Explores the place of Shakespeare in relation to artistic practices and activities, past and presentThis substantial reference work explores the place of Shakespeare in relation to cultural processes that take in publishing, exhibiting, performing, reconstructing and disseminating.The 30 newly commissioned chapters are divided into 6 sections: * Shakespeare and the Book* Shakespeare and Music* Shakespeare on Stage and in Performance* Shakespeare and Youth Culture* Shakespeare, Visual and Material Culture* Shakespeare, Media and Culture. Each chapter provides both a synthesis and a discussion of a topic, informed by current thinking and theoretical reflection.
The Oxford Handbook of the Global Stage Musical
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performan...
Much Ado about Nothing
This 1998 edition of Much Ado About Nothing focuses wholly on the play in performance. John Cox investigates major issues and trends in the production of this popular work, analysing successive reinterpretations of the play in relation to their cultural and ideological contexts. Gender issues are central to the study, which highlights in striking ways the changing constructions of womanhood in performances from Shakespeare's time to the present. A commentary alongside the New Cambridge Shakespeare edition of the text recreates in lively detail interpretations of each passage in a variety of British, American, Canadian and other productions, including film and television versions. A full introduction also examines the problematic relation of dark and comic elements in a wide range of performances. An essential resource for students, teachers, actors and directors, this is an illuminating book for all theatregoers.
Susan Glaspell and the Anxiety of Expression
One of the founding members of the Provincetown Players, Susan Glaspell contributed to American literature in ways that exceed the work she did for this significant theatre group. Interwoven in her many plays, novels and short stories is astute commentary on the human condition. This volume provides an in-depth examination of Glaspell's writing and how her language conveys her insights into the universal dilemma of society versus self. Glaspell's ideas transcended the plot and character. Her work gave prominent attention to such issues as gender, politics, power and artistic daring. Through an exploration of eight plays written between the years of 1916 and 1943--Trifles, Springs Eternal, Th...
Revisiting The Tempest
Revisiting The Tempest offers a lively reconsideration of how The Tempest encourages interpretation and creative appropriation. It includes a wide range of essays on theoretical and practical criticism focusing on the play's original dramatic context, on its signifying processes and its present-time screen remediation.
The Cambridge Companion to Kazuo Ishiguro
The Cambridge Companion to Kazuo Ishiguro offers an accessible introduction to key aspects of the novelist's remarkable body of work. The volume addresses Ishiguro's engagement with fundamental questions of humanity and personal responsibility, with aesthetic value and political valency, with the vicissitudes of memory and historical documentation, and with questions of family, home, and homelessness. Focused through the personal experiences of some of the most memorable characters in contemporary fiction, Ishiguro's writing speaks to the major communitarian questions of our time – questions of nationalism and colonialism, race and ethnicity, migration, war, and cultural memory and social justice. The chapters attend to Ishiguro's highly readable novels while also ranging across his other creative output. Gathering together established and emerging scholars from the UK, Europe, the USA, and East Asia, the volume offers a survey of key works and themes while also moving critical discussion forward in new and challenging ways.
The Tempest: A Critical Reader
The Tempest contains sublime poetry and catchy songs, magic and low comedy, while it tackles important contemporary concerns: education, power politics, the effects of colonization, and technology. In this guide, Alden T. Vaughan and Virginia Mason Vaughan open up new ways into one of Shakespeare's most popular, malleable and controversial plays.
The Staging of Romance in Late Shakespeare
This book examines Shakespeare's response in his late plays to the challenge of making romance stories believable through theatrical representation and the kind of experience the late plays in performance seek to create for their spectators. Taking The Winter's Tale as a case study, the book's central chapters demonstrate how Shakespeare tests and transforms the techniques to create the sweeping, restorative transformations of individuals and communities that are central to both earlier dramatic romances and Shakespeare's own romance experiments. The book's three other chapters address the methodologies for study of spectator's experience through a dramatic text, the history of dramatic romance to 1610, and Shakespeare's further experiments with the staging of romance after The Winter's Tale.-
