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Red Hot
  • Language: en

Red Hot

Featuring works from an extraordinary private collection in Houston, this title provides a survey of the freshest and most innovative trends and movements coming out of Japan, China, South Korea and Vietnam, as well as responses from artists in America and Europe.

Your Bright Future
  • Language: en

Your Bright Future

Published to coincide with an exhibition held at the Los Angeles County Museum of Art, June 28-Sept. 20, 2009 and at the Museum of Fine Arts, Houston, Nov. 22, 2009-Feb. 14, 2010.

The Nomadic Object
  • Language: en
  • Pages: 649

The Nomadic Object

  • Type: Book
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  • Published: 2017-11-06
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  • Publisher: BRILL

A team of renowned scholars examines how sacred art and artefacts responded to the demands of a world stage in the age of reform, demonstrating the significance of religious systems for a global art history.

The Modern West
  • Language: en
  • Pages: 348

The Modern West

  • Categories: Art

A fascinating and novel exploration of the transformative role played by the American West in the development of modernism in the United States Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O'Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpai...

Picturing the True Form
  • Language: en
  • Pages: 533

Picturing the True Form

  • Type: Book
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  • Published: 2020-03-17
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  • Publisher: BRILL

"Picturing the True Form investigates the long-neglected visual culture of Daoism, China’s primary indigenous religion, from the tenth through thirteenth centuries with references to both earlier and later times. In this richly illustrated book, Shih-shan Susan Huang provides a comprehensive mapping of Daoist images in various media, including Dunhuang manuscripts, funerary artifacts, and paintings, as well as other charts, illustrations, and talismans preserved in the fifteenth-century Daoist Canon. True form (zhenxing), the key concept behind Daoist visuality, is not static, but entails an active journey of seeing underlying and secret phenomena.This book’s structure mirrors the two-pa...

The Migrant's Time
  • Language: en
  • Pages: 273

The Migrant's Time

  • Categories: Art

The conditions of alienation and exclusion are inextricably linked to the experience of the migrant. This ground-breaking volume explores both the increasing emergence of the theme of migration as a dominant subject matter in art as well as the ways in which the varied mobilities of a globalized world have radically reshaped art's conditions of production, reception, and display. In a wide-ranging selection of essays, fourteen distinguished scholars in the fields of visual studies, art history, literary studies, global studies, and art criticism explore the universality of conditions of global migration and interdependence, inviting a rethinking of existing perspectives in postcolonial, transnational, and diaspora studies, and laying the foundation for empirical and theoretical directions beyond the terms of these traditional frameworks.

Allegories of Time and Space
  • Language: en
  • Pages: 354

Allegories of Time and Space

  • Categories: Art

Allegories of Time and Space explores efforts by leading photographers, artists, architects, and commercial designers to re-envision Japanese cultural identity during the turbulent years between the Asia Pacific War and the bursting of the economic bubble in the 1990s. This search for a cultural home was a matter of broad public concern, and each of the artists under consideration engaged a wide audience through mass media. The artists under study had in common the necessity to establish distance from their immediate surroundings temporally or geographically in order to gain some perspective on Japan's rapidly changing society. They shared what Jonathan Reynolds calls an allegorical vision, ...

Cai Guo-Qiang
  • Language: en
  • Pages: 168

Cai Guo-Qiang

  • Type: Book
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  • Published: 2012
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  • Publisher: Unknown

"An exploration, celebration, and commemoration of Odyssey, a monumental gunpowder drawing by world-renowned contemporary artist Cai Guo-Qiang installed at the Museum of Fine Arts, Houston. The book narrates the literally explosive creation of Odyssey through a combination of text and photographs"--Provided by publisher.

Coloring Time: An Exhibition from the Archive of Korean-American Artists Part One (1955-1989)
  • Language: en
  • Pages: 109

Coloring Time: An Exhibition from the Archive of Korean-American Artists Part One (1955-1989)

  • Categories: Art
  • Type: Book
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  • Published: 2013
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  • Publisher: Lulu.com

"Many talented young Korean-American artists lived and worked in the 1980s. This exhibition catalogue presents a group of the first generations who set up their studios in the greater New York area in the 1960s to the 1980s. The exhibition catalogue of Coloring Time include [sic] scholarly essays along with documents, photographs, drawings and sketches of Korean America [sic] as well as their early works classified into three to five themes in order to show a creative journey of Korean contemporary art transplanted in the US."--Page 4 of cover.

POSTMODERNISM AND AESTHETICS: COLLIDE OR STEER?
  • Language: en
  • Pages: 140

POSTMODERNISM AND AESTHETICS: COLLIDE OR STEER?

  • Categories: Art
  • Type: Book
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  • Published: 2015
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  • Publisher: Lulu.com

Postmodernism and Aesthetics: Collide or Steer presents twenty-two artists who were awardees of the contemporary visual art competition by the AHL Foundation. All of them spent their youth in the 1990s as immigrant artists or as fine art students studying-abroad in the United States. While postmodernism gained momentum in South Korea during an economic boom in the 1990s, a milieu of fine arts departments at major universities as well as art markets in Seoul, still maintained a purity of high modernism in abstract painting. Organized by curator and professor Kyunghee Pyun at the Fashion Institute of Technology, this exhibition overviews the current status of twenty-two artists from Korea living and working in the United States. The show divided artists and their works into most popular binary themes of postmodernism and high modernism such as appropriation/originality; local/ international; simulacra/real; banal/avant-garde; and personal/universal.