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If you love POE, BARKER and THE TWILIGHT ZONE, you'll love “NOTES-TO-SELF”! “Notes-To-Self: Accumulated Thoughts, Transferred Into Word Form” is a brand new version of an historical collection of works that comprises Christopher Alan Broadstone's long out-of-print, handmade ‘About 9 Times’ fan-book titled “Beyond Blue Sky, Nothing” (July 1988), which included an amalgam of 92 early poems (many of them ‘About 9 Times’ lyrics), along with two early short stories, “Again Once More” and “The Deformity”. New to this edition are the very early, never before published tales “Grandma” and the experimental “The Dying Man: A Comedy Of Eschatology”, along with the un...
If you love POE, BARKER and THE TWILIGHT ZONE, you'll love “A CATCH IN TIME“! "A CATCH IN TIME grew so vividly and beautifully absurd…I could not take my eyes off the book for long…C. A. Broadstone has easily convinced me that his writing style is indeed brilliant." –– Oliver Lippert, The Huffington Post San Antonio Del Tequendama Cundinamarca, Colombia November 1938 ‘My front door is broken, bleeding guts of shadows...’ ‘...how do I find new skin...’ ‘...among my desolate bones...’ “But this is nothing, right?” whispered Tatiana. “I’m still alive.” These were her abstract thoughts as she stared like a saucer-eyed cat confronting a deluge––stared into he...
If you love POE, BARKER and THE TWILIGHT ZONE, you'll love "SUICIDE THE HARD WAY"! SUICIDE THE HARD WAY: And Other Tales From The Innerzone –– collects 7 never-before-released stories of the macabre from CHRISTOPHER ALAN BROADSTONE, horror filmmaker (3 DEAD GIRLS!) and novelist (PUZZLEMAN). Each tale lures us down twilight byways instinctively sped-through and discounted by most, but never explored. Within these stories, however, we become lost, meandering onto backstreets and alleyways –– stumbling through the grim reality of introspection that always leads to a terrifying, nihilistic, and often brutal look into the soul: the Innerzone. Continuing this theme, SUICIDE THE HARD WAY al...
If you love POE, BARKER and THE TWILIGHT ZONE, you'll love “PUZZLEMAN”! “It’s impossible,” Erik told Amanda. “Ya can’t kill him. Not even God can do that.” Fall into a world of Grumemonsters––hideous zombie-like creatures that thrive in a living hell created by the Puzzleman––where no one is sane down a drain, and down a drain no one is sane. Follow Amanda Zimmerman, a young sculptress despondently searching for understanding after the tragic death of her infant son... John Rainbow (a professor of classical history) and Jeannette Orfèvre (a beautiful French vintner) still longing for the love they shared during World War II... The legless man, seeking retribution and...
This richly informed study analyzes how various cinematic tools and techniques have been used to create horror on screen--the aesthetic elements, sometimes not consciously noticed, that help to unnerve, frighten, shock or entertain an audience. The first two chapters define the genre and describe the use of pragmatic aesthetics (when filmmakers put technical and budgetary compromises to artistic effect). Subsequent chapters cover mise-en-scene, framing, photography, lighting, editing and sound, and a final chapter is devoted to the aesthetic appeals of horror cinema. Instructors considering this book for use in a course may request an examination copy here.