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Guest
Guest, the first monograph by art photographer Christopher Bucklow and the fourth powerhouse Books release in conjunction with the critically acclaimed fine art photography periodical, Blind Spot, is a lavish artists' book showcasing the masterworks of this sought after British artist. Known for his silhouettes made using a pinhole camera, Bucklow collects for the first time many works from the "Guest" and "Tetrarchs" series. Guest also documents his earlier photographic work and video images made within the Canopic Fusion Reactor--a pinhole camera the size of a building, built in St. Ives in Cornwall, England, for the total eclipse of the sun, visible there in 1999.
Under the Sun
Photographs by Christopher Bucklow, Susan Derges, Garry Fabian Miller, and Adam Fuss.
Bacon and the Mind
The first in a series of books that sheds new light on Francis Bacon's art and motivations, published under the aegis of the Estate of Francis Bacon Bacon and the Mind sheds light on Francis Bacon’s art by exploring his motivations, and in so doing opens up new ways of understanding his paintings. It comprises five essays by prominent scholars in their respective disciplines, illustrated throughout by Bacon’s works. Christopher Bucklow argues compellingly that Bacon does not depict the reality of his subjects, but rather their reality for him—in his memory, in his sensibility, and in his private world of sensations and ideas. Steven Jaron’s essay questions the psychological implicati...
Inside Francis Bacon
The third book in the Francis Bacon Studies series, this volume reveals fundamental insights into the artist’s character and psychology that will change existing perceptions. Very little is known about Francis Bacon’s early career, but this third installment in the Bacon estate’s groundbreaking series provides exciting new insight into and analysis of the elusive artist. Archived material recently added to the Estate of Francis Bacon’s collection—including the diaries of Bacon’s first two patrons and an extensive number of records kept by Bacon’s doctor, Paul Brass—has allowed Francesca Pipe, Sophie Pretorius, and Martin Harrison to delve deeper into the artist’s formative ...
Under the Sun
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What is in the Dwat?
"This book examines the coherent structure of the 'world' that Guston created. It offers, for the first time, a comprehensive account of how his symbolism operated and what it was intended to do."--Inside front cover
Making Art History
Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations. The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include: Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party. The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand. Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today. Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.
ANIMAE
Romanticism, the brooding and intensely personal eighteenth-century art and literary movement, takes on a new lease of life in this carefully curated collection of interviews with contemporary artists from around the world. Informed by the writings of the renowned psychoanalyst James Hillman, Romanticism is reconsidered from a twenty-first-century perspective. Moving past a purely formal presentation of the artists’ work, this text strives to uncover the deeper meaning and more pressing issues present in the artworks. All connected by a similar romantic vein, Emma Coccioli explores each artist’s individual practice through a series of carefully selected questions. For Coccioli, discussio...
William Blake and the Digital Humanities
William Blake's work demonstrates two tendencies that are central to social media: collaboration and participation. Not only does Blake cite and adapt the work of earlier authors and visual artists, but contemporary authors, musicians, and filmmakers feel compelled to use Blake in their own creative acts. This book identifies and examines Blake's work as a social and participatory network, a phenomenon described as zoamorphosis, which encourages -- even demands -- that others take up Blake's creative mission. The authors rexamine the history of the digital humanities in relation to the study and dissemination of Blake's work: from alternatives to traditional forms of archiving embodied by Bl...
The Dark Sides of Virtue
In this provocative and timely book, David Kennedy explores what can go awry when we put our humanitarian impulses into action on a global scale. He develops a checklist of difficulties that plague efforts by the most well-intentioned professional activists and policy-makers.
