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A Sourcebook on Naturalist Theatre
A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.
Modern British Drama: The Twentieth Century
Publisher Description
Edward Gordon Craig: A Vision of Theatre
Edward Gordon Craig's ideas regarding set and lighting have had an enormous impact on the development of the theatre we know today. In this new and updated edition of his well-known study of Edward Gordon Craig, Professor Christopher Innes shows how Craig's stage work and theoretical writings were crucial to the development of modern theatre. This book contains extensive documentation and re-evaluates his significance as an artist, actor, director and writer. Craig is placed in historical context, and his productions are reconstituted from unpublished prompt-books, sketches, journals and correspondence. Most of the designs and photographs, and many of Craig's writings cited, are not available elsewhere in print. Readers will gain insight into a key period of theatrical history, the life of one of its most fascinating individuals, the nature of stage performance, and into revolutionary ideas that are still challenging today.
A Sourcebook on Naturalist Theatre
A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George Bernard Shaw - Mrs Warren's Profession and Heartbreak House. Innes' introduction provides an overview of naturalist theatre. Key themes include: the representation of women, significant contemporary issues and the links between theory, play writing and stage practice. The primary sources explore many aspects of naturalism, giving information on: * the playwrights' intentions when writing plays * contemporary reviews * literary criticism * political and social background * production notes from early performances of the plays.
Avant Garde Theatre
Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.
The Cambridge Companion to George Bernard Shaw
This volume covers all aspects of Shaw's drama, focusing both on the political and theatrical context, while the illustrations showcase productions from the Shaw Festival in Canada.
Modern British Drama: The Twentieth Century
Publisher Description
Scabby Queen
‘Gripping and moving. A literary triumph’ Nicola Sturgeon ‘A humane and searching story’ Ian Rankin ‘Kirstin Innes is aiming high, writing for readers in the early days of a better nation’ A.L. Kennedy A NEW STATESMAN BOOK OF THE YEAR • A SCOTSMAN BOOK OF THE YEAR
The Cambridge Companion to British Literature of the French Revolution in the 1790s
The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars.
The Cambridge Companion to European Novelists
A lively and comprehensive account of the whole tradition of European fiction for students and teachers of comparative literature, this volume covers twenty-five of the most significant and influential novelists in Europe from Cervantes to Kundera. Each essay examines an author's use of, and contributions to, the genre and also engages an important aspect of the form, such as its relation to romance or one of its sub-genres, such as the Bildungsroman. Larger theoretical questions are introduced through specific readings of exemplary novels. Taking a broad historical and geographic view, the essays keep in mind the role the novel itself has played in the development of European national identities and in cultural history over the last four centuries. While conveying essential introductory information for new readers, these authoritative essays reflect up-to-date scholarship and also review, and sometimes challenge, conventional accounts.
