You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In childhood there is no distinction between, boy, bird, mammal or fish. A Twelvemonth and a Day is about change and growth, the fluctuating patterns in the worklife of a fishing and farming community throughout the whole cycle of a year, and about the year itself, the life of nature. It tells of how that symbolic year-and-a-day can be destroyed by forces we cannot seem to control - ignorance and greed, profit and loss, the wider forces of ploitics that damage communities and individuals. It is both a lament for a past time and acelebration of its vanished values.
Lambda Literary Award Finalist | A New York Times Book Review Editors' Choice Named a best book of 2019 by Parade The Light Years is a joyous and defiant coming-of-age memoir set during one of the most turbulent times in American history "This stunningly beautiful, original memoir is driven by a search for the divine, a quest that leads Rush into some dangerous places . . . The Light Years is funny, harrowing, and deeply tender." —Kate Tuttle, The L.A. Times "Rush is a fantastically vivid writer, whether he’s remembering a New Jersey of 'meatballs and Windex and hairspray' or the dappled, dangerous beauty of Northern California, where 'rock stars lurked like lemurs in the trees.' Read if...
Canadian progressive rock band Rush was the voice of the suburban middle class. In this book, Chris McDonald assesses the band's impact on popular music and its legacy for legions of fans. McDonald explores the ways in which Rush's critique of suburban life—and its strategies for escape—reflected middle-class aspirations and anxieties, while its performances manifested the dialectic in prog rock between discipline and austerity, and the desire for spectacle and excess. The band's reception reflected the internal struggles of the middle class over cultural status. Critics cavalierly dismissed, or apologetically praised, Rush's music for its middlebrow leanings. McDonald's wide-ranging musical and cultural analysis sheds light on one of the most successful and enduring rock bands of the 1970s and 1980s.
William Shakespeare is dying, with his lawyer at his bedside. It is time to dictate his will. But how can a man put his affairs in order before he's come to terms with his past? Acclaimed poet, novelist, and Shakespeare professor Christopher Rush has put thirty years of scholarship and creativity into this unforgettable re-imagining of the Bard's life. Rush takes readers into the mind of William Shakespeare, a man whose almost superhuman art was forged from very human frailties and misfortunes. Will takes us back to Shakespeare's childhood, his first encounters with sex, and the dangers of politics, plague, and love. We hear the chilling account of the Tyburn executions, see him crossing the frozen Thames with the wooden beams that would become the Globe theater, and return with him to Stratford on the heartbreaking journey to bury his only son. Rush has created an utterly irresistible figure whose voice rings true across four hundred years--irrepressible, bawdy, witty, and wise, his every word steeped in the situations and phrases of his own plays.
'The scent of God...the air was impregnated with him and his mint-sweet and moth-ball evangelists. Just as it was with herring, as you might expect in a fossilised fishing-village on Scotland's repressed east coast where fishing was an act of faith and not yet a computer-science industry designed to suck the last drops of life out of the sea.' A vivid and moving account of the author's upbringing in the 1940s and 1950s in the little fishing village of St Monans. Rush returns decades later to rediscover his childhood, and offers a frank account of how it was for him. This evocation of a way of life now vanished demonstrates the power of the word to bring the past timelessly to life. Rush writes of family, village characters, church and school; of folklore and fishing, the eternal power of the sea and the cycles of the seasons. With a poet's eye he navigates the worlds of the imagination and the unknown, the archetypal problems of fathers and sons and mother love, and the inescapability of childhood influences far on into adult life.
When Christopher Rush's wife died suddenly of cancer, leaving him with two young children, his world fell apart. He not only stopped writing, he also lost faith in everything that had informed his existence: literature, the arts, his role as teacher, his love of nature, the society of friends. Nothing could cure his almost suicidal depression. At last he decided to try to reclaim his sanity in the least expected of ways. A confirmed non-traveller, he went to France, bought a donkey and disappeared into the mountains of the Cevennes. Like a fellow Scot, Robert Louis Stevenson, who had made the same journey over a century before, he hoped to find a new reason to live. To Travel Hopefully is a memoir of grief and recovery, expressed in an intensely private but universal language, which records a compelling journey of the spirit from defeat to victory. Anyone who has had to confront bereavement will find in these pages an understanding, experience and expression of the human predicament which go far beyond mere sympathy.
"This is an important, concise, and well-written book that provides readers with bold insights into the converging patterns of jurisprudence in the field of election law in Canada and the United States." - Cynthia Ostberg, University of the Pacific
"Chris Rush promised that if I gave him a favorable blurb, he would agree to be placed in a secure, isolated neuropsychiatric facility, away from the rest of us. Here goes: 'Chris's book is crammed with good, big, sick belly laughs.' Your turn, Chris." --George Carlin "I first saw Chris Rush thirty years ago, and he killed me. He has a bizarre, funny way of looking at things, and this book is proof of that." --Jay Leno "Chris Rush combines the stream-of-consciousness of a Lenny Bruce, a Monty-Pythonesque appreciation of the surreally absurd, and the mental energy of a Robin Williams." --New York Times "He is universal and intellectual without being elitist." --Variety Comedian Chris Rush was...
Biographies and Autobiographies.