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This collection of essays seeks to redefine the discussion of Calvinism's impact on the visual arts through an exploration of Reformed artistic influences in England, France, Switzerland, Germany, Hungary, the Netherlands, and America. 200+ illustrations, many in color.
Jong Hun Joo offers a model of how both solid biblical understanding and effective practice of worship can be realised in churches today by exploring the theology and practice of Matthew Henry (1662-1714). Matthew Henry is one of the most famous biblical commentators in the English-speaking world. He was, however, also a pastor who was liturgical in negotiating the political and religious landmines of his day. This all but overlooked aspect of Henry's biography and writings is both a window into his life and times, and an insightful view into the pastoral dimensions of Christian rituals and practices in the home and church. Joo discerns how Henry understood and practised English Presbyterian worship as an example of Reformed worship in hiscontext and suggests how contemporary churches can appropriately develop and articulate their own worship in their own contexts, making the case for worship renewal.
Thinking about church architecture has come to an impasse. Reformers and traditionalists are talking past each other. Statements from both sides are often strident and dogmatic. In Theology in Stone, Richard Kieckhefer seeks to help both sides move beyond the standoff toward a fruitful conversation about houses of worship. Drawing on a wide range of historical examples with an eye to their contemporary relevance, he offers new ideas about the meanings and uses of church architecture.
This book presents a synthesis of Alan Sell's theology drawn from his voluminous publications. As Sell's doctrinal views are explored and interpreted, his indebtedness to P. T. Forsyth becomes clear. What emerges is a theology rooted in and flowing from the Cross-Resurrection event. Standing in the Separatist, Dissenting, and Nonconformist traditions, Sell advocates a wholehearted commitment to a Congregational ecclesiology, which he maintains carries the potential to break through the log-jams holding up the establishment of full ecumenical relationships across the churches. Saddened by Christianity's many sectarianisms, Sell's intentions are thoroughly catholic; while his faithfulness to t...
Essentially interdisciplinary, this innovative collection of essays - religious case-histories of many kinds from three eras, - explores in depth the dynamic interaction of sacred text and sacred space, forming and reforming through time, to shape and voice one another.
The definitive work on church archaeology.
What does Biblical spirituality look like? What does it mean to be "spiritual"? What priorities and practices inspire one to live the Christian life well? While there are a multitude of answers to these questions, very rarely are they both clear and profound. As a result, Christians can be left feeling lost and confused. In The Spirit of Holiness, Terry Delaney and Roger Duke have collected a variety of reflections on spirituality that are shaped by the Bible, theology, and the voices and examples of those who have come before us. With authors like Al Mohler, Michael Haykin, and Steve Lawson covering topics such as perseverance, depression, friendship, choice, and faith, The Spirit of Holiness encourages and directs Christians to a healthy biblical spirituality informed by their forebears of the faith.
In the 1880s, socio-economic and technological changes in the United States contributed to the rejection of Christian architectural traditions and the development of the radically new auditorium church. Jeanne Kilde links this shift in evangelical Protestant architecture to changes in worship style and religious mission.
It is often thought that the French Reformer John Calvin (1509-1564) had a negative attitude towards the arts, particularly visual art. However, in Calvinism and the Arts: A Re-assessment, Dr. Joby argues that in Calvin's writings and in the development of the Reformed tradition more generally, it is possible to discern a more positive attitude than has hitherto been recognized. He makes a start by examining exactly what type of visual art Calvin rejected and what type he affirmed. He goes on to consider how Calvin's epistemology and eschatology can be used to argue for the placing of certain types of art, notably histories and landscape paintings, within Reformed churches and then devotes s...
The essays in this volume do not claim that the Revolution of 1688-89 in itself constituted an epoch-making event in the history of progress and freedom. Instead, they argue that it marks an important conjunction of many trends, changes, and developments in the years before and after 1688.