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Gendering the Nation
Too often seen as a ghost from the past, nationalism has resurfaced as a major factor in European politics and culture. A powerful commitment to national autonomy has marked Scottish writing throughout the twentieth century. How has the emergence of new voices from feminist, gay and lesbian critics transformed that commitment? How critical and pluralistic can the new nationalisms be? This collection serves notice that the tradition is being read in new and disruptive ways. Five women and four men examine the relationship between gender and nationality, how male and female authors portray women, the treatment of sexuality in Scottish writing, the construction of Scottish masculinity and its relation to class and homophobia. Covering modern fiction and theatre, poetry, film and television, it is a provocative reassessment of the gender and culture of a 'stateless nation'.
Milestones
Milestones is an apt title for this collection, for the eighty-four poems within show a poet passing from mere talent into mastery of her craft. Composed between January and December of 1916, these poems find the twenty-four year-old Tsvetaeva thirsting for the fullness of life while at the same time contemplating the inevitability of death-a theme she was to revisit many times in her career. Tsvetaeva's work of the time also reflects her knowledge of (and pride in) her native culture, especially the centrality of Moscow as the ultimate destination of all Russians. Throughout the verse she opens up to the sensual wonders of nature-sky, forest, wind, and not least her beloved daughter Alya, who would come to figure greatly in the work and legacy of her mother. Milestones lays out a sensual feast of moods, themes, styles, and rhythms-all the ingredients that would in time reveal Tsvetaeva as one of the most daring and original poets of her time.
After Russia (Paris 1928)
After Russia is considered the high point in Tsvetaeva's output of shorter poems. Tsvetaeva told Pasternak that all that mattered in the book was its anguish. Technical mastery and experimentation are underpinned by suicidal thoughts, a sense of exclusion from the circle of human love and companionship, and an increasing alienation from life.
After Russia
After Russia is Marina Tsvetaeva's last collection, published in Paris 13 years before she died. Containing many poems addressed to Pasternak, the book also contains many references to Russia.
Caoir Gheal Leumraich
This Collected Works of Sorley MacLean brings together published poetry from MacLean's own edited volumes of poetry, poetry previously published in various magazines, literary journals and anthologies, and poetry which has never been published before. The poems will be given in their original Gaelic with English translations. The volume opens with a biographical summary of Maclean's childhood on Raasay, his life at university and war experiences, and examines MacLean's effect on Gaelic and Scottish literature, and his literary, political and philosophical influences, which included Gaelic traditional song, Romanticism and Modernism, as well as Communism and Fascism.
Scotland in Theory
Scotland in Theory offers new ways of reading Scottish texts and culture within the context of an altered political framework and a changing sense of national identity. With the re-establishment of a Parliament in Edinburgh, issues of nationality and nationalism can be looked at afresh. It is timely now to revisit representations of Scottish culture in cinematography and literature, and also to examine aspects of gender, sexuality and ideology that have shaped how Scots have come to understand themselves. Established and younger critics use a variety of theoretical approaches here to catch an authentic sense of a post-modern Scotland in the process of change. Literature and the arts provide ...
Modern Scottish Poetry
Although Scottish poetry gained an increasingly high profile towards the end of the twentieth century, this groundbreaking work is the first book length study of the field.
The Cloud Machinery
The theatre at St Hyginus, in an obscure corner of Venice, is about to reopen after 7 years of darkness. A young musician named Domenico has been employed to rehearse the company and direct the operas. In the eaves of the theatre Domenico and his lover Rodolfo discover an ageing, half-mad castrato called Angelo Colombani in a room filled with theatrical machinery. It was the failure of his cloud machinery, on a disastrous night seven years before, that led to the closure of the theatre. Admirably suited to the alchemical talents of Christopher Whyte, The Cloud Machinery reads like a tale by Hoffmann set to music by Mozart. Its brilliant and elegant surface cannot conceal disturbing pyschological undertones which make this a thoroughly contemporary novel.
Information Warfare in the Age of Cyber Conflict
This book examines the shape, sources and dangers of information warfare (IW) as it pertains to military, diplomatic and civilian stakeholders. Cyber warfare and information warfare are different beasts. Both concern information, but where the former does so exclusively in its digitized and operationalized form, the latter does so in a much broader sense: with IW, information itself is the weapon. The present work aims to help scholars, analysts and policymakers understand IW within the context of cyber conflict. Specifically, the chapters in the volume address the shape of influence campaigns waged across digital infrastructure and in the psychology of democratic populations in recent years...
