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A diverse group of New Testament scholars and theologians offer myriad paths to a better understanding of the Book of Revelation. They discuss topics such as Hispanic / Cuban American and African American perspectives, ecological issues, postcolonial themes, and liberation theology. The book also provides a set of guidelines for intercultural Bible study.The volume's contributors include: Brian K. Blount Justo Gonz lez Harry O. Maier Clarice J. Martin James Okoye Tina Pippin Pablo Richard Barbara R. Rossing V tor Westhelle Khiok-Khng Yeo
In this multi-cultural and multi-religious world, do Christian mission studies have any place in the academic realm? What theological possibilities and practical insights did Vatican II create for missiology? In this book, experts from Africa, Asia, the Caribbean, Europe, the Middle East, and North America respond to these questions. They explore "mission" as "intercultural studies," and they adopt decolonial thinking to privilege knowledges from the margins of our wounded world. Themes, such as interculturality, interreligious dialogue and inculturation, justice, peace building, and reconciliation, expand Vatican II to celebrate "mission" among and with the nations. (Series: Interreligious Studies - Vol. 8) [Subject: Religious Studies, Christianity]
Beginning from an auteur standpoint, this book interrogates extant cinematic re-presentation of African and Nigerian postcolonial realities in Nollywood. It makes a case, using Kunle Afolayan's The Figurine, for a critical space-clearing gesture around the notion of a neo-Nollywood, which transcends the formulaic cinematic re-presentation of African and Nigerian realities to embrace a visionary and philosophic rearticualtion of the role of film-making, and of Nollywood, in the Nigerian imagination. The Idea of neo-Nollywood, and a visionary director, therefore stands at the core of a cinematic production process that challenges, disturbs and stimulates perceptions of current and future African identities
The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.
"An examination of how Jesus addressed inequality between rich and poor, and implications for Christian practice today"--
This volume brings together fifteen scholars from Africa, Europe and the United States to explore how Africa is represented in and through the performing arts and cinema. Essays include discussions of Lorraine Hansberry’s A Raisin in the Sun, American influences on Nollywood, Nigerian video films, the representation of women in cinema, African dance in the diaspora, children’s music, and media portrayals of savagery from pop cinema through news reports of Ferguson, Missouri. Using a variety of methodologies and approaches, the contributors consider how African societies and cultures have been represented to themselves, to the continent at large, and in the diaspora. The volume represents an extended dialogue between African scholars and artists about the challenges of representing themselves and their respective societies within and without Africa. Many of the contributors are scholar-practitioners, offering practical guides on how to approach these performance and media forms as artists. As such, this book will serve as both model and building block for the next generation of representors, students, and audiences.
This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.
This book is a collection of essays that contribute to the debate on the contextual interpretation of scripture from an African context. The book engages biblical narratives from the lived experiences of Africans, insisting that meaning is attained only when people bring their daily experiences into their reading of scripture. The contributors examine the interaction of African peoples with the Bible in juxtaposition with the forces of colonialism, neocolonialism, patriarchy, war, and bad governance. This book gives voice to the lived experiences of African peoples in their quest for full expression of the profundity of their union with God by aiding them to unmask inhumanity and indignity. Book Event – Bible, Interpretation, and Context: Reading Meaning from an African Perspective
The Handbook of Contemporary Christianity in the United States is a one-volume examination of Christianity in its role, contributions, and embattled engagements with the contemporary culture of the postmodern United States. While Christianity has been a sustaining force and dominant storyline of the historical foundations of America, obvious social, political, and scientific inroads have lessened its influence and altered the issues considered. The handbook explores the strengths and weaknesses of the Christian faith and traditions in the United States and its rich and textured history with a discernable eye toward how the message, strategies, and initiatives of Christianity has adapted to contemporary American life.