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Broken Masculinities
Broken Masculinities portrays the post-dictatorial novel of the 1970s in all its complexity, and introduces the reader to a 1968-era Turkey, a period which challenges Turkey?s now reinforced Islamic image by portraying the quest for sexual liberation and critical student uprisings. G?nay-Erkol argues that the literature written after the 1970 coup in Turkey constitutes a coherent sub-genre and needs to be considered together. These novels share a common ground which is rich in images of men and women craving for power: general isolation, sexual-emotional frustration, and a traumatic sense of solitude and alienation. This book is an original and significant contribution to two major fields of study: (1) gender and sexuality with respect to formation of subjectivity through literature, and (2) modern literature and history through the study of Turkish literature. The chief concern in this book is not only literature?s response to a particular period in Turkey, but also the role of literature in bearing witness to trauma and drastic political acts of violence?and coming to terms with them. ÿ
Turkish Literature as World Literature
Essays covering a broad range of genres and ranging from the late Ottoman era to contemporary literature open the debate on the place of Turkish literature in the globalized literary world. Explorations of the multilingual cosmopolitanism of the Ottoman literary scene are complemented by examples of cross-generational intertextual encounters. The renowned poet Nâzim Hikmet is studied from a variety of angles, while contemporary and popular writers such as Orhan Pamuk and Elif Safak are contextualized. Turkish Literature as World Literature not only fills a significant lacuna in world literary studies but also draws a composite historical, political, and cultural portrait of Turkey in its relations with the broader world.
Turkish Literature as World Literature
"Examines the impact of modern Turkish literature on the literatures of the world through discussions of translation practices, transcultural encounters, transnational ideas, global literary networks, and the politics of world literature"--
Turkey in the Cold War
This volume examines the cultural and ideological dimensions of the Cold War in Turkey. Departing from the conventional focus on diplomacy and military, the collection focuses on Cold War's impact on Turkish society and intellectuals. It includes chapters on media and propaganda, literature, sports, as well as foreign aid and assistance.
Istanbul Istanbul
“Istanbul, Istanbul turns on the tension between the confines of a prison cell and the vastness of the imagination; between the vulnerable borders of the body and the unassailable depths of the mind. This is a harrowing, riveting novel, as unforgettable as it is inescapable.” —Dale Peck, author of Visions and Revisions “A wrenching love poem to Istanbul told between torture sessions by four prisoners in their cell beneath the city. An ode to pain in which Dostoevsky meets The Decameron.” —John Ralston Saul, author of On Equilibrium; former president, PEN International “Istanbul is a city of a million cells, and every cell is an Istanbul unto itself.” Below the ancient streets...
Yaralı Erkeklikler
12 Mart askerî darbesini konu edinen romanlar Türkiye tarihinin karanlık bir dönemine tanıklık eder. Estetiğe odaklanmayı zorlaştıran toplumsal, siyasi ve tarihsel gerilimlerin etkisindeki 1970’li yıllarda yazılan bu romanlarda ilk göze çarpan katman, devrimci muhalefet ve karşı karşıya geldiği milliyetçi muhafazakâr tepki olsa da, aslında Soğuk Savaş ikliminde farklılaşan fikir ve eylemler aracılığıyla bütün bir Türkiye toplumu, iktidar meselesine ilişkin bir sorgulama için sahneye çıkarılır. Erkeklik, 12 Mart romanlarında çarpıcı bir meseledir ve ordunun siyasete müdahalesinden daha geniş bir travmayı görünür kılar. 12 Mart romanları, er...
Social Trauma and Telecinematic Memory
This book explores responses to authoritarianism in Turkish society through popular culture by examining feature films and television serials produced between 1980 and 2010 about the 1980 coup. Envisioned as an interdisciplinary study in cultural studies rather than a disciplinary work on cinema, the book advocates for an understanding of popular culture in discerning emerging narratives of nationhood. Through feature films and television serials directly dealing with the coup of 1980, the book exposes tropes and discursive continuities such as “childhood” and “the child”. It argues that these conventional tropes enable popular debates on the modern nation’s history and its myths of identity.
Turkey
From its earliest days, the dominant history of the Turkish Republic was told as a triumphant narrative of national self-determination and secular democratic modernization. In that officially sanctioned account, the years between the fall of the Ottoman Empire and the formation of the Turkish state marked an absolute rupture, and the Turkish nation formed an absolute unity. In recent years, this hermetic division has begun to erode—but as the old consensus collapses, new histories and accounts of political authority have been slow to take its place. In this richly detailed alternative history of Turkey, Christine M. Philliou focuses on the notion of political opposition and dissent—muhal...
The Crisis of Islamic Masculinities
Evaluates the idea of any singular, rigid, ideal Islamic masculinity, exploring key figures of the Qu'ran and Indian-Pakistani Islamic masculinity.
The Dubious Case of a Failed Coup
This volume is an attempt to contextualise the coup attempt of 15 July 2016 in Turkey, within the framework of militarism and masculinities. The immediate aftermath of the 15 July in Turkey witnessed confusion, contestation and negotiation among different narratives, until a hegemonic version was superimposed on the collective memory as part of official history building. This project is an attempt to bring a fresh and critical perspective by compiling together analyses from various disciplines of political science, media and film studies, literature, sociology and cultural studies. Several chapters of this volume delineate the paradox of “victorious militarism,” meaning that despite the failure of the coup, its aftermath has been shaped by a new wave of state-sponsored gendered militarism, with the establishment of a regime of “state of emergency.”
