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Le livre qui voulait une maison
« Les écrivains de Fondcombe » ont été créés pour encourager et faire connaître les auteurs qui n’ont pas eu la chance d’être publiés par une grande maison d’édition. Le pari est simple : ensemble, nous représentons la puissance d’une grande maison d’édition et notre production est importante. Le succès de quelques uns peut profiter à tous. C’est dans ce cadre qu’a été créé le Concours de nouvelles Fondcombe qui permet d’encourager et de récompenser chaque année des auteurs méritants et de leur apporter une modeste notoriété, premier pas sur le chemin du succès. La plus grande récompense est, pour chacun de ces auteurs, de mettre un point final à un...
Actes
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Almanach Payot 1927
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Medieval Stereotypes and Modern Antisemitism
The twelfth century in Europe, hailed by historians as a time of intellectual and spiritual vitality, had a dark side. As Robert Chazan points out, the marginalization of minorities emerged during the "twelfth-century renaissance" as part of a growing pattern of persecution, and among those stigmatized the Jews figured prominently. The migration of Jews to northern Europe in the late tenth century led to the development of a new set of Jewish communities. This northern Jewry prospered, only to decline sharply two centuries later. Chazan locates the cause of the decline primarily in the creation of new, negative images of Jews. He shows how these damaging twelfth-century stereotypes developed and goes on to chart the powerful, lasting role of the new anti-Jewish imagery in the historical development of antisemitism. This coupling of the twelfth century's notable intellectual bequests to the growth of Western civilization with its legacy of virulent anti-Jewish motifs offers an important new key to understanding modern antisemitism.
The Critical Nexus
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
Crusades
Crusades covers seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources in all relevant languages - narrative, homiletic and documentary - in trustworthy editions, but studies and interpretative essays are welcomed too. Crusades appears in both print and online editions.
De Koninklijke Musea voor Schone Kunsten van België
Eindelijk wordt de boeiende geschiedenis van een van België's meest prestigieuze musea te boek gesteld. Het hoogtepunt van de festiviteiten rond het 200-jarig bestaan van de Musea. Drie jaar archiefstudie samengevat in een schitterend omvangrijk werk, met talrijke illustraties van de Musea en haar collectie. Een must voor elke kunstliefhebber. De Koninklijke Musea voor Schone Kunsten van België hebben hun 200-jarig bestaan met luister gevierd. De verschillende activiteiten in dit kader in 2001 en 2002 waren voornamelijk gericht op de collecties van de Musea. Het hoogtepunt van de festiviteiten in maart 2003 is het ideale moment om de eerste gedetailleerde studie te publiceren over de geschiedenis van deze Musea zelf.
Heresy and the Making of European Culture
Scholars and analysts seeking to illuminate the extraordinary creativity and innovation evident in European medieval cultures and their afterlives have thus far neglected the important role of religious heresy. The papers collected here - reflecting the disciplines of history, literature, theology, philosophy, economics and law - examine the intellectual and social investments characteristic of both deliberate religious dissent such as the Cathars of Languedoc, the Balkan Bogomils, the Hussites of Bohemia and those who knowingly or unknowingly bent or broke the rules, creating their own 'unofficial orthodoxies'. Attempts to understand, police and eradicate all these, through methods such as the Inquisition, required no less ingenuity. The ambivalent dynamic evident in the tensions between coercion and dissent is still recognisable and productive in the world today.
Contesting Orthodoxy in Medieval and Early Modern Europe
This book breaks with three common scholarly barriers of periodization, discipline and geography in its exploration of the related themes of heresy, magic and witchcraft. It sets aside constructed chronological boundaries, and in doing so aims to achieve a clearer picture of what ‘went before’, as well as what ‘came after’. Thus the volume demonstrates continuity as well as change in the concepts and understandings of magic, heresy and witchcraft. In addition, the geographical pattern of similarities and diversities suggests a comparative approach, transcending confessional as well as national borders. Throughout the medieval and early modern period, the orthodoxy of the Christian Church was continuously contested. The challenge of heterodoxy, especially as expressed in various kinds of heresy, magic and witchcraft, was constantly present during the period 1200-1650. Neither contesters nor followers of orthodoxy were homogeneous groups or fractions. They themselves and their ideas changed from one century to the next, from region to region, even from city to city, but within a common framework of interpretation. This collection of essays focuses on this complex.
