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The Rescue is a tale about a serious man named Eustace Damier who receives a visit from an old family friend, Mrs. Mostyn. Damier and Mrs. Mostyn discuss wistfully the latter's late daughter and Damier's old paramour, who was beautiful but sickly. Suddenly, Damier finds out through a friend that Ms. Clara Vicaud is still alive, a stubborn survivor of terrible circumstances. Sedgwick writes a suspenseful love tale that will charm through the ages. Excerpt: "DEAR MR. DAMIER: I shall be very glad to see you tomorrow afternoon at four. I well remember Mrs. Mostyn; to hear of her from a friend of hers will be a double pleasure. Yours sincerely, CLARA VICAUD. It was like the evocation of a ghost to see this reality, emerged suddenly out of the dream-world where, for so long, he had thought of her, the young girl leaning on the chair-back in her flowing dress of silk. She was alive, and he was to see her that afternoon. Damier felt a chill overtake his eagerness. Was he not about to shatter a charming experience—one of the sweetest, most tender, most dearly absurd of his life?"
Outlander is much more than a television romance about a World War II nurse and a Jacobite soldier in a fetching kilt. The series--and the massive serial novel on which it is based--has been categorized as a period drama, adventure saga, military history and fantasy epic. Inspired by the Irish legends of Fionn Mac Cumhaill and the prophecies of Brahan Seer, the storyline is filled with mythology and symbolism from around the world, from the Fair Folk and the Loch Ness monster to wendigos, ghosts, zombies and succubae. Literary references abound, from the Bible to the classics, to Shakespeare and the English romantic poets. The series is also rich with its own symbolism: heather and white roses, the dragonfly in amber, Claire's blue vase and wedding gown, her wedding rings and pearl necklace. This book untangles the myriad of myths, legends, symbols and literary references found in the series.
After surviving her parents' relationship drama when her older sister elopes, Claire Gardner vows not to date during high school. Now, three years later, Claire is thrown into new relationship drama—her two best friends have boyfriends. Which means Claire is spending more and more time alone. And she's more than a little peeved. Enter Gray Langley. His year-long crush on Claire's friend Lindsey has made him desperate enough to ask Claire for help with pursuing Lindsey. Hesitant at first, Claire finally agrees—anything to get rid of Lindsey's current evil boyfriend. But as Claire and Gray plot together, Claire has to fight the sparks of attraction flying everywhere. Because she can't be with Gray unless she gives up her vow. And how can she handle the pain that'll come from confronting her parents with the reasons for that vow? Claire has to decide . . . unless, of course, Gray decides first.
Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories...
A search for new ways to talk about race in Aotearoa New Zealand brought together this powerful group of scholars, writers and activists. For these authors, attempts to confront racism and racial violence often stall against a failure to see how power works through race, across our modern social worlds. The result is a country where racism is all too often left unnamed and unchecked, voices are erased, the colonial past ignored and silence passes for understanding. By 'bringing what is unspoken into focus', Towards a Grammar of Race seeks to articulate and confront ideas of race in Aotearoa New Zealand – an exploration that includes racial capitalism, colonialism, white supremacy, and anti...