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"A Woman of Valour is the biography of Marie-Louise Bouchard Labelle, a French-Canadian woman who found love with a priest thirty-three years her senior. Against all social convention, they lived, produced three children, and built a life together after fleeing their village. However, after several years together, Bouchard's husband ultimately chose to return to the priesthood, abandoning his family as a result. Through interviews and documentation, Claire Trepanier tells Bouchard's story of survival while highlighting the history of women's stature in Canada, and raising a question about the celibacy of Catholic priests."--Publisher's description
Murders and disappearances in one building ... but are they connected? Hollis Grant has fashioned a new life for herself with a foster child and a job as resident super of an eight-storey apartment building with a split personality. Hollis finds herself in the middle of a murder investigation when a tenant, a woman working for an escort agency, is murdered. The detective in charge is Rhona Simpson, with whom Hollis has crossed swords in the past. Rhona, deeply shaken by a report on racial and sexual violence against Native girls and women, is wrestling with an identity crisis as she comes to terms with her own Native heritage. Hollis’s life is further complicated by the disappearance of Mary, a First Nations tenant who leaves a niece behind and a message asking Hollis to care for her. Hollis gives herself 24 hours to locate Mary, but her search for the woman places her in grave danger. Will Hollis end up as yet another victim?
A crystal clear evocation of another time and place and a compelling meditation on hope and loss
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Mowafa Said Househ’s family fled Palestine in 1948 and arrived in Canada in the 1970s. He spent his childhood in Edmonton, Alberta, where he grew up as a visible minority and a Muslim whose family had a deeply fractured history. In the year 2000, when Mowafa visited his family’s homeland of Palestine at the beginning of the Second Intifada, he witnessed the effects of prolonged conflict and occupation. It was those observations and that experience that inspired him not only to tell his story but to realize many of the intergenerational and colonial traumas that he shares with the Indigenous people of Turtle Island. His moving memoir depicts the lives of those who live on occupied land and the struggles that define them.
In 1975, at the age of twenty-three, Farideh Goldin left Iran in search of her imagined America. She sought an escape from the suffocation she felt under the cultural rules of her country and the future her family had envisioned for her. While she settled uneasily into American life, the political unrest in Iran intensified and in February of 1979, Farideh’s family was forced to flee Iran on the last El-Al flights to Tel Aviv. They arrived in Israel as refugees, having left everything behind including the only home Farideh’s father had ever known. Baba, as Farideh called her father, was a well-respected son of the chief rabbi and dayan of the Jews of Shiraz. During his last visit to the ...
Since childhood, Tony Fabijančić has travelled frequently to Yugoslavia and Croatia, the homeland of his father. He spent time with his peasant family in the village of Srebrnjak in the north and escaped to the Adriatic islands in the south where he could break free from the constraints of everyday life. Those two worlds—the north, marked by the haunting saga of family life, its history and material practices, and the south, a place defined by travel and escape—formed the two halves of Fabijančić’s Croatian life. Over time, he observed Srebrnjak become a white-collar weekend retreat, the community of peasants of the 1970s, to which he was first introduced, only a distant memory. From the continental interior of green valleys and plum orchards to the austere and skeletal karst coast, Drink in the Summer is a unique record of a place and people now lost to time, a description of a country’s varied landscapes, and a journey of discovery, freedom, beauty, and love.
Xwelíqwiya is the life story of Rena Point Bolton, a Stó:lō matriarch, artist, and craftswoman. Proceeding by way of conversational vignettes, the beginning chapters recount Point Bolton's early years on the banks of the Fraser River during the Depression. While at the time the Stó:lō, or Xwélmexw, as they call themselves today, kept secret their ways of life to avoid persecution by the Canadian government, Point Bolton’s mother and grandmother schooled her in the skills needed for living from what the land provides, as well as in the craftwork and songs of her people, passing on a duty to keep these practices alive. Point Bolton was taken to a residential school for the next several...
In May of 1868, Elizabeth Bingham Young and her new husband, Egerton Ryerson Young, began a long journey from Hamilton, Ontario, to the Methodist mission of Rossville. For the next eight years, Elizabeth supported her husband’s work at two mission houses, Norway House and then Berens River. Unprepared for the difficult conditions and the “eight months long” winter, and unimpressed with “eating fish twenty-one times a week,” the young Upper Canada wife rose to the challenge. In these remote outposts, she gave birth to three children, acted as a nurse and doctor, and applied both perseverance and determination to learning Cree, while also coping with poverty and short supplies within...
By foregrounding bodily pleasure in the experience of time and its representation in queer literature, film, video, and art, Elizabeth Freeman challenges queer theorys recent emphasis on loss and trauma.